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Community shrine figure (ivri)

Photo: Paul Macapia

Community shrine figure (ivri)

Warning: being worried by hunger brings vexation.
Hunger makes you say what you do not understand.

(From a praise poem for an "ivri", 1971)

A hunger for aggression has overtaken this figure and turned it into a monstrous centaur. Instead of a body, an enormous mouth with crossing incisors opens wide. The Urhobo calls upon ivri to address the personal and collective force that human antagonisms can foster. If a man becomes persistently troublesome or argumentative, unwilling to adjust or share, an ivri could be commissioned for his use. Or he might visit one in a town meeting hall, where the figure served as a personality corrective.

Regular offerings of food were deposited in the ivri's cavernous mouth. Offerings of yams, gin, chicken blood, and kola nuts have accumulated on this figure. During visits, people might recite lengthy praise poems, and consult the ivri about community problems. Through this action and recitation, the ivri provided the Urhobo with a metaphorical way of limiting excessive aggression.
Wood, camwood, chalk, nails, encrustation
36 x 14 3/4 in. (91.5 x 37.5 cm)
Diam.: 13 1/4 in.
Gift of Katherine White and the Boeing Company
81.17.532
Photo: Paul Macapia
location
Now on view at the Seattle Art Museum

Resources

Exhibition HistorySeattle, Washington, Seattle Art Museum, Praise Poems: The Katherine White Collection, July 29 - Sept. 29, 1984 (Washington, D.C., National Museum of African Art, Smithsonian Institution, Oct. 31, 1984 - Feb. 25, 1985; Raleigh, North Carolina Museum of Art, Apr. 6 - May 19, 1985; Fort Worth, Texas, Kimbell Art Museum, Sept. 7 - Nov. 25, 1985; Kansas City, Missouri, Nelson-Atkins Museum of Art, Mar. 8 - Apr. 20, 1986). Text by Pamela McClusky. Cat. no. 10, pp. 28-29, reproduced (as Shrine figure (ivri)).
Published ReferencesMcClusky, Pamela. Art from Africa: Long Steps Never Broke a Back. Exh. Cat. Seattle: Seattle Art Museum, in association with Princeton University Press, 2002; pp. 168-9, 173, reproduced pl. 81 [not in exhibition].

Seattle Art Museum respectfully acknowledges that we are on Indigenous land, the traditional territories of the Coast Salish people. We honor our ongoing connection to these communities past, present, and future.

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