Untitled Painting (7.2.81)
Date1981
Maker
Oliver Lee Jackson
American, born 1935
Label TextOn a canvas of immense scale, Oliver Jackson stages a drama with gestural brush strokes and enigmatic figures. When asked about his choices, he said he wanted "an environment expansive and open-ended enough for the figure to breathe and move." At times he has identified some of his figures as dommo, an archetype of the Dogon culture of Mali. Dommo were amorphous deities who brought gifts of civilization and social order to humankind. At other times, the artist cites his association with jazz musicians in his hometown of St. Louis as being a source for "a harmony that exceeds logic."
Object number82.158
Provenance[The Quay Gallery, San Francisco, California]; purchased by the Seattle Art Museum, December 16, 1982
Photo CreditPhoto: Paul Macapia
Exhibition HistorySeattle, Washington, Seattle Art Museum, "Africa in America", December 18, 2004 - January 1, 2006
Seattle, Washington, Seattle Art Museum, "Other Figures," May 25-July 16, 1989
Seattle, Washington, Seattle Art Museum Pavilion, Seattle Center, "Oliver Jackson: Recent Paintings," September 17-November 7, 1982
San Francisco, California, San Francisco Museum of Modern Art, "Fresh Paint, Fifteen California Artists," 1982Published References"Oliver Jackson: Recent Paintings," exh. cat. Seattle: Seattle Art Museum, 1982. Ill. pp. 16-17
"Fresh Paint, Fifteen California Artists," exh. brochure. San Francisco: San Francisco Museum of Modern Art, 1982Credit LineMargaret E. Fuller Purchase Fund
Dimensions108 1/2 x 180 in. (275.59 x 457.2 cm)
MediumOil-based enamel on cotton canvas
Balgo Women (Tjemma Freda Napanangka, ca. 1930–2004; Margaret Anjulle, born 1946; Patricia Lee Napangarti, born 1960; Mati Mudgidell, ca. 1935–2002; Lucy Yukenbarri, 1934–2003; Eubena Nampitjin, born ca. 1920)
1999
Object number: 2019.20.12
log in
