Resources
Exhibition HistoryVancouver, British Columbia, University of British Columbia, UBC Fine Arts Gallery, Art Becomes Reality, January 29 - February 8, 1964.
Portland, Oregon, Portland Art Museum, Collection of Mr. and Mrs. C. Bagley Wright: Twentieth Century American and European Paintings and Sculpture, November 8 - December 6, 1964. Cat. no. 37.
New York, Whitney Museum of American Art, Robert Morris, 1970.
Detroit, Michigan, Detroit Museum of Art, Robert Morris, 1970.
London, Tate Gallery, Robert Morris, April 28 - June 6, 1971.
San Diego, California, Mandeville Center for the Arts, University of California San Diego, Sense of Reference, (opening exhibition), March 7-16, 1975.
Portland, Oregon, Portland Art Museum, Masterworks in Wood: The Twentieth Century, September 16 - October 19, 1975.
Washington, D.C., National Collection of Fine Arts, Smithsonian Institution, Sculpture: American Directions 1945-1975, October 3 - November 30, 1975 (Dallas, Texas, Dallas Museum of Fine Arts, January 7 - February 28, 1976; New Orleans, Louisiana, March 31 - May 16, 1976).
Pullman, Washington, Museum of Art, Washington State University, Two Decades Of American Sculpture-From Northwest Collections, Fall, 1977.
Philadelphia, Pennsylvania, Institute of Contemporary Art, University of Pennsylvania, Sight and Sound, Spring, 1979.
Milwaukee, Wisconsin, Milwaukee Art Center, Pop and Minimal Artists—Then and Now, September 17, 1979 - August 15, 1980.
Cologne, Germany, International Exhibition Cologne 1981, Westkunst/Contemporary Art Since 1939, May 29 - August 16, 1981.
Purchase, New York, Neuberger Museum, State University of New York, College at Purchase, Soundings, September 20 - December 23, 1981.
Seattle, Washington, Seattle Art Museum, American Sculpture: Three Decades, November 15, 1984 - January 27, 1985. Back cover.
Polanco, Mexico, Centro Cultural/Arte Contemporaneo, Leo Castelli y Sus Artistas, June 25 - October 18, 1987.
Hempstead, New York, The Edith C. Blum Art Institute, The Tao of Contemporary Art, Hofstra Museum, September 16 - November 18, 1990 (Annandale-On-Hudson, New York, Bard College, The Edith C. Blum Art Institute, December 2, 1990 - February 14, 1991; Salina, Kansas, Salina Art Center, February 24 - May 20, 1991; Houston, Texas, Blauffer Gallery, University of Houston, June 1 - August 20, 1991; Sacramento, California, Crocker Art Museum, September 6 - October 30, 1991; Laguna, California, Laguna Art Museum, November 28, 1991-February 9, 1992).
New York, Solomon R. Guggenheim Museum, Robert Morris: The Mind/Body Problem, February 3 - May 1, 1994 (Deichtorhallen Hamburg, Germany, March 10 - May 7, 1995; Paris, France, Centre Georges Pompidou, July 4 - October 23, 1995). Text by Rosalind E. Krauss, Maurice Berger, David Antin, et al. Robert Morris: the Mind/Body Problem. No cat. no., pp. 104-105, reproduced fig. 11.
Seattle, Washington, Seattle Art Museum, Five Installations on the Fourth Floor: Varieties of Sculpture, June 26, 1997 - March 31, 1998.
Seattle, Washington, Seattle Art Museum, The Virginia and Bagley Wright Collection of Modern Art, Mar. 4 - May 5, 1999.
Bellingham, Washington, Western Gallery, Western Washington University, Decades of Giving: Virginia Wright and Sculpture at Western, September 27 - October 13, 1999.
Leeds, England, Henry Moore Institute, 2003.
Baltimore, Maryland, Baltimore Museum of Art, Work Ethic, October 12, 2003 - August 11, 2004
New York, Museum of Arts and Design, Against the Grain, Wood in Contemporary Art, Craft and Design, September 1, 2012 - January 6, 2013 (Charlotte, North Carolina, Mint Museum, February 5 - June 16, 2013). Text by Lowery Stokes Sims and Elisabeth Kirrane. No cat. no., p. 10, reproduced fig 1.
Saint Louis, Missouri, The Pulitzer Foundation for the Arts, Art of Its Own Making, February 14 - August 20, 2014. Reproduced on opening invitation. Text by Kristina Van Dyke. Cat. no. 3, reproduced pp. 14-15.
New York, Metropolitan Museum of Art, Unfinished: Thoughts Left Visible. March 18 - September 4, 2016. Text by Kelly Baum, et al. No cat. no., p. 304, reproduced pl. 189, p. 235.
Seattle, Washington, Seattle Art Museum, Sound Affect, April 27, 2019 - February 2, 2020.
Seattle, Washington, Seattle Art Museum, City of Tomorrow: Jinny Wright and the Art That Shaped a New Seattle, October 23, 2020 - January 18, 2021.
Published ReferencesCompton, Michael. Robert Morris, London: Tate Gallery, 1971.
Ratcliff, Carter. "Robert Morris: Prisoner of Modernism." Art in America 67, no. 6 (October 1979).
Glozer, Laszlo. Westkunst: Zeitgenössische Kunst seit 1939. Köln: DuMont Buchverlag Köln, 1981.
Sanborn, John and Kit Fitzgerald. "Arts-on-Television: Soundings."1981 (video).
Neuberger Museum, "Soundings", SUNY-Purchase, 1981 (catalogue).
Robert Morris: Works of the Eighties. Chicago: Museum of Contemporary Art, 1986.
Littman, Roberto, et al. Leo Castelli y sus artistas: XXX años de promocion del arte contemporaneo. 26 June–18 October 1987. Mexico City: Centro Cultural Arte Contemporáneo, 1987.
Waldman, Diane, Collage, Assemblage, and the Found Object. New York: Harry N. Abrams, 1992; ill. p.300.
Larson, Kay. "Mind Field." New York Magazine, February 21, 1994: 56.
Burcharth, Ewa Lajer, "Genders: Janine Antoni." Winter 1997.
Danto, Arthur C. After the End of Art: Contemporary Art and the Pale of History. Princeton, New Jersey: Princeton University Press, 1998; reproduced p. 80.
Jamet-Chavigny, Stephanie, and Francoise Levaillant. L'Art De L'Assemblage Relectures. Presses Universitaired de Rennes, 2011; p.147
Copeland, Huey. "Glenn Ligon and Other Runaway Subjects." Representations 113 (Winter 2011): p. 99.
Migone, Christof. "Sonic Somatic: Performances of the Unsound Body." Audio Issues vol. 5 (2012): p. 9.
Rinuy, Paul-Louis. Espace, mouvement et son dans la sculpture de la seconde moitié du XXe siècle. Barcelona: Museu d'Art Contemporani de Barcelona, 2009; p. 25.
Roberts, Veronica, ed. Converging Lines: Eva Hesse and Sol LeWitt. Austin, Texas: Blanton Museum of Art, in association with London and New Haven: Yale University Press, 2014; p. 37, reproduced p. 36.
Enwezor, Okwui, et al. Postwar: Art Between the Pacific and the Atlantic, 1945-1965. Exh. Cat. Munich: Stiftung Haus der Kunst München, 2016; p. 515, reproduced fig. 210 [not in exhibition].
Weiss, Jeffrey. Robert Morris: Object Sculpture. New Haven: Yale University Press, 2013; p. 85, reproduced pl. 3.
Celant, Germano. Art or Sound. Exh. Cat. Venice: Fondazione Prada, 2014; p. 221 [not in exhibition].
Ward, David C., et al. The Sweat of Their Face: Portraying American Workers. Washington D.C.: Smithsonian Books, 2016; p. 51, reproduced fig. 3.1.
Tani, Ellen. Second Sight: The Paradox of Vision in Contemporary Art. Exh. Cat. Brunswick: Bowdoin College Museum of Art, 2018; p. 29, reproduced fig. 14 [not in exhibition].
Welchman, John C. Richard Jackson. Zurich: Hauser & Wirth Publishers, 2020; p. 212, reproduced fig. 5.47.
