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Photo: Paul Macapia
Hunting Scene from the Akbarnama (with border from the Farhangi-Jahangiri dictionary manuscript)
Photo: Paul Macapia

Hunting Scene from the Akbarnama (with border from the Farhangi-Jahangiri dictionary manuscript)

Datelate 16th century
Label TextHunting as a pastime was important for Mughal rulers, serving as subtext to travel to the furthest reaches of their empire to assess political situations. Participation in the hunt kept the army alert and in fighting form, and allowed the ruler to pass on his wisdom to his sons, who would succeed him to the throne. The artist who created this page from the Akbarnama (“Book of Akbar”) could have been memorializing a specific hunt, or simply combining elements of “the hunt” in general.
Two images from the Akbarnama—Akbar hunting and Akbar on horseback—epitomize the distinction between the generic and the specific. The scene of Akbar hunting may represent a specific event. The image displays a wealth of detail, and the depiction of the animals killed, the use of elephants and the architectural structure in the background all lend specificity to the scene. Hunting in general was an important pastime for rulers because it allowed them to travel to far-flung areas of their empire to assess political situations without arousing suspicion. Participation in the hunt kept the army alert and in fighting form. It also allowed the ruler to pass on his wisdom to his sons, who would succeed him to the throne.

This image could be of a specific hunt or represent a more generalized hunting scene, as both types of images were included in the Akbarnama. It might also have been part of an album, a type of book in which discrete, independent images were compiled according to its patron's interests.
Object number45.69
Photo CreditPhoto: Paul Macapia
Exhibition HistorySeattle, Washington, Seattle Art Museum, "Luminous: The Art of Asia", October 13, 2011 - January 8, 2012 San Francisco, California, San Francisco Museum Of Art, "Art In Asia and The West", 1957 Los Angeles, California, Los Angeles County Museum, "Art Of Greater India" (1950) Portland, Oregon, Portland Art Museum, "Gift to a City: Masterworks from the Eugene Fuller Memorial Collection in the Seattle Art Museum", cat. # 89Published References"Handbook, Seattle Art Museum: Selected Works from the Permanent Collections." Seattle, WA: Seattle Art Museum, 1951, p. 34 (b&w) "Gift to a City" exhibition catalogue. Portland, OR: Portland Art Museum, 1965, cat. no. 89 Heermaneck, Alice, "Masterpieces of Indian Painting formerly in the Nasli M. Heermaneck Collections," Alice N. Heermaneck, Publisher, 1984, plate 140, p. 172; text p. 151. (Cf. 68.160, 46.28, 57.78)
Credit LineEugene Fuller Memorial Collection
Dimensions8 3/16 x 5 1/2 in. (20.8 x 14 cm)
MediumOpaque watercolor, ink and gold on paper
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