Resources
Exhibition HistoryMunich, Germany, Haus der Kunst, 1000 Jahre Chinesische Malerei (1000 Years of Chinese Painting), 1959 (The Hague, the Netherlands; Zurich, Switzerland; Cleveland, Ohio, Cleveland Art Museum [organizer], 1960).
Cleveland, Ohio, Cleveland Museum of Art, Chinese Art Under the Mongols: The Yuan Dynasty (1279-1368), 1968 (New York, New York, Asia Society, Inc., Asia House Gallery, 1969).
Seattle, Washington, Seattle Asian Art Museum, Chinese Art: A Seattle Perspective, Dec. 22, 2007 - July 26, 2009.
Seattle, Washington, Seattle Art Museum, Luminous: The Art of Asia, October 13, 2011–January 8, 2012.
Seattle, Washington, Seattle Asian Art Museum, Conceal/Reveal, Dec. 20, 2014 - June 21, 2015.
Published ReferencesCahill, James. "An Index of early Chinese Painters and Paintings: T'ang, Sung and Yuan." Berkeley: University of California Press, 1980. p. 319 (under "P'u-ming")
Cahill, James. "Hills Beyond a River: Chinese Painting of the Yuan Dynasty, 1279-1368." New York: Weatherhill, 1976. Plate 76 ("Orchids, Bamboo, Tree and Rock"); pp. 161-162.
"Chinese Art Recently Acquired by American Museums," in the Archives of the Chinese Art Society of America, Vol. 5 (1951), p. 70-77, illus no. 21.
"Eight Dynasties of Chinese Painting." Cleveland: Cleveland Museum of Art, 1980. Plate 85 ("Bamboo in the Wind")
Fong, Wen C., et al. "Images of the Mind." Princeton: The Art Museum, Princeton University, 1984. p. 289 ("Orchid, Bamboo and Rock")
Harada Kinjiro, Nihon Genzai Shina Meiga Mokuroku, (Tokyo, Otsuka Kogeisha, 1938): 110.
Haus der Kunst Munchen, Sherman E. Lee, and Roger H. Goepper. 1000 Jahre chinesische Malerei, #35, 1959: 60, 61.
Huggins, Mabel Irene, “Orchids in Chinese Antiques,” The Antiques Journal 24, May 1969, Antiques Publications: 10.
Huggins, M., “The ‘Four Gentleman’ of Chinese Art,” Antiques, June 1962: 624.
Kokka國華. Tokyo, Kokkasha 國華社, June 1949, #687: 3.
Lee, Sherman E., and Wai-kam Ho. Chinese art under the Mongols: the Yuan dynasty, 1279-1368. [Cleveland]: Cleveland Museum of Art; (Press of Case Western Reserve University, 1968) #245: 48-49.
Lee, Sherman E. "The Colors of Ink," pl. 16, p. 112, pp. 14-15
Mayuyama, Junkichi. Mayuyama, seventy years = Ryusen shuho: sogyo shichijusshunen kinen. (Tokyo: Mayuyama Ryusendo, 1976), vol. II: 85, pl.173.
Ottenberg, Simon. "Sources and Themes in the Art of Obiora Udechukwu," in African Arts, Vol. 35, No. 2 (Summer 2002), pp. 30-43, 91-92, image 11 p. 36
Seattle Art Museum, Henry Trubner, William Jay Rathbun, and Catherine A. Kaputa. Asiatic art in the Seattle Art Museum: a selection and catalogue. (Seattle: The Museum, 1973): 174, #132.
Seattle Art Museum, Handbook.1951: 72.
Simon Ottenberg, Asian Arts. (rights & reproduction requested in 2000/2001) [An unverifiable source].
Shih-hua, Lu. "Wu yueh so chein shu hua lu," preface dated 1776
Sirén, Osvald, Chinese Painting: Leading Masters and Principles, (New York: Ronald Press, 1958), vol.VII: 129.
Suzuki, Kei. "Comprehensive Illustrated Catalogue of Chinese Paintings." Tokyo: Tokyo University Press, 1983. Volume 5 (Indexes) p. 538 (under "Xuechang").
specifically, see: A17-037, A22-038, JM5-018, and JP8-018.
Toda, Teisuke and Hiromitsu Ogawa. Comprehensive Illustrated Catalogue of Chinese Paintings: Second Series. (Tokyo: University of Tokyo Press, 1998): A55-030, I-362 and I-261, cat. #A55-029.
Zheng, Zhenduo, Yuwai Suocang Zhongguo Guhua Ji 域外所藏中國古畫集, vol. III, (Shanghai, Shanghai chuban gongsi, 1947): 22.
http://chinesepainting.seattleartmuseum.org/OSCI/
Zhang, Xi. Masterpieces of Yuan, Ming and Qing Dynasties Collected Overseas. Hangzhou: Zhejiang University Press, 2011; p. 233, reproduced pl. 160.
Giuffrida, Noelle. Separating Sheep from Goats: Sherman E. Lee's Chinese Art Collecting in Postwar America. Oakland: University of California Press, 2018; p.64, reproduced fig. 35.