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SAM'S collection
Photo: Eduardo Calderon
Virgin and Child with Donor
Photo: Eduardo Calderon

Virgin and Child with Donor

Datelate 1340s
Maker Bernardo Daddi Italian, Florence, active ca. 1280-1348
Label TextThis intimate but formal image encompasses the Virgin Mary's numerous roles: protective mother, Queen of Heaven, and embodiment of the living Church. The donor, much smaller and kneeling at the lower left, intended the altarpiece to be an eternal document of religious devotion that would assure his reception into heaven. This splendid panel is remarkable for the intensity of color and the rich variety of gilding effects in the garments and the halos. Although the panel is in very good condition, the upper part of the throne is a skillful reconstruction. Compare the restorer's punchwork, gilding and brushstrokes to those of the artist.
Object number61.151
ProvenancePrivate collection, England; Prince Vladmir Galitzin (Golitzyn), London, until sold 1927; [Durlacher Brothers, New York, by 1928]; purchased from gallery by Marquis H. de Talleyrand, Palazzo Orsini, Rome, December 28, 1929 [1]; Count Alessandro Contini Bonacossi (1878-1955), Rome-Florence; purchased from Contini-Bonacossi by Samuel H. Kress (1863-1955), New York, September 1, 1939; gift of the Samuel H. Kress collection to National Gallery of Art, 1943; deaccessioned and returned to the Samuel H. Kress Foundation, 1952; gift from Kress Foundation to Seattle Art Museum, Seattle, Washington, 1961 [1] Durlacher Bros. Records, 1919-1973, Getty Research Institute, Los Anglees. Record Number 950003, Series II, Box 4, Folder 17. The painting was lent by Durlacher to the Exhibition of Old Masters and Works of Art, Art Insitute Kansas City, 1928, no. 3
Photo CreditPhoto: Eduardo Calderon
Exhibition HistoryKansas City, Missouri, Kansas City Art Institute, Exhibition of Old Masters and Works of Art, 1928. Cat. no. 3. Washington, D.C., National Gallery of Art, 1941-1952. Seattle, Washington, Seattle Art Museum, Renaissance Art in Focus: Neri di Bicci and Devotional Paintings in Italy, Mar. 25, 2004 - Dec. 31, 2005. Text by Elizabeth Darrow and Nicholas Dorman. No cat. no., pp. 54-56, 72, reproduced figs. 1-6. Seattle, Washington, Seattle Art Museum, Body Language, Dec. 22 - 2018 - ongoing. Published ReferencesSuida, William and Richard Fuller. European Paintings and Sculpture from the Samuel H. Kress Collection. Seattle: Seattle Art Museum, 1954; p. 18, reproduced p. 19. Ishikawa, Chiyo. The Samuel H. Kress Collection at the Seattle Art Museum. Seattle: Seattle Art Museum, 1997; fig. 12, pp. 28-29, 33. Sciacca, Christine, ed. Florence at the Dawn of the Renaissance: Painting and Illumination: 1300 - 1350. Exh. Cat. Los Angeles: J. Paul Getty Museum, 2012; checklist no. 22, p. 107, detail p. 109. Ishikawa, Chiyo. "Seattle Art Museum." In Italian Treasures in the U.S.: An Itinerary of Art. Edited by Renato Miracco. Rome: Gangemi Editore International Publishing, 2015; p. 200.
Credit LineSamuel H. Kress Collection
Dimensions43 x 18 1/2 in. (109.2 x 47 cm)
MediumEgg tempera with gold on wood
Photo: Eduardo Calderon
Master of San Torpè
ca. 1325
Object number: 61.152
Photo: Nathaniel Willson
Pietro Lorenzetti
1310 - 20
Object number: 61.157
Photo: Paul Macapia
ca. 1490
Object number: 61.175
Photo: Eduardo Calderon
Lorenzo Monaco
1408
Object number: 61.158
Photo: Susan Dirk
Pseudo-Dalmasio
ca. 1330-39
Object number: 61.147
Photo: Paul Macapia
Giovanni di Paolo
1470-75
Object number: 61.154
Photo: Paul Macapia
Master of the Straus Madonna
ca. 1400-10
Object number: 61.161
Photo: Eduardo Calderón
Luca di Tommè
1380-89
Object number: 61.167
Photo: Paul Macapia
Paolo Uccello
ca. 1470
Object number: 61.173
Photo: Eduardo Calderon
ca. 1440
Object number: 61.159
Photo: Eduardo Calderón
Late 1340s
Object number: 61.172
Photo: Paul Macapia
Bernardo Strozzi
shortly after 1630
Object number: 61.168