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Photo: Elizabeth Mann
Yong (male attendant)
Photo: Elizabeth Mann

Yong (male attendant)

Date3rd century BCE
Label TextThe oldest painting colors in the Chinese funerary context were cinnabar red and black lacquer, substances that are both toxic and preservative. Painted-wood grave goods serving the afterworld needs of the deceased were decorated with patterns in this color scheme. The inventory might include coffins, vessels, and multiple sets of figures like this servant. By the 3rd century BCE, red, black, green, yellow, and white belonged in the wuxing (“Five Agents”) system for understanding the cyclical workings of the universe, where the five colors correlated with the five elements, directions, animals, planets, body organs, and musical tones.
Object number49.122
Photo CreditPhoto: Elizabeth Mann
Exhibition HistorySeattle, Washington, Seattle Asian Art Museum, Boundless: Stories of Asian Art, Feb. 8, 2020 - ongoing.Published ReferencesKnight, Michael, "East Asian Lacquers in the Collection of the Seattle Art Museum." Seattle, WA: Seattle Art Museum, 1992, no. 2, pp. 7-8
Credit LineEugene Fuller Memorial Collection
Dimensions23 1/2 x 4 1/4 x 3 1/8 in. (59.69 x 10.8 x 7.94 cm) Overall h.: 23 1/2 in.
MediumWood with lacquer and paint
Attendant of Kannon (Basu-sen)
Japanese
1185-1333
Object number: 56.131
Photo: Elizabeth Mann
Japanese
18th century
Object number: 40.46
Standing Avalokiteshvara (Kannon)
18th century
Object number: 47.38
Male head - attendant or Bodhisattva?
Indian
2nd-3rd century
Object number: 64.114
20th century
Object number: 81.17.238
Male figure
Object number: 81.17.1
Photo: Elizabeth Mann
Chinese
Object number: 33.20.2