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Bridge

1931

Kamekichi Tokita

American (born in Japan), 1897–1948

Tokita famously said his artistic aims were “found in Cézanne and . . . developed through the methods used by Sesshu.” This highly innovative composition can be said to bear the mark of these two paradigms of the European and Asian traditions. A close view of the network of trusses and stairways that define Seat­­tle’s infrastructure of bridges, it demonstrates the artist’s understanding of Cézanne’s forms and volumes and Sesshu’s intricacies of line.
Oil on canvas
23 1/4 x 19 1/16 in. (59.1 x 48.4 cm)
Gift of the artist
33.230
location
Not currently on view

Resources

Exhibition HistorySeattle, Washington, Art Institute of Seattle, 17th Annual Exhibition of Northwest Artists, Sept. 23 - Nov. 1, 1931.

Seattle, Washington, Seattle Art Museum, Oil Paintings by Seattle Artists, June 28 - July 31, 1933.

Puyallup, Washington, Western Washington Fair, Contemporary American Painting, 1941.

Seattle, Washington, Seattle Art Museum, The View From Here: The Pacific Northwest 1800-1930, Aug. 8, 2003 - Feb. 29, 2004.

Seattle, Washington, Seattle Asian Art Museum, Painting Seattle: Kamekichi Tokita and Kenjiro Nomura, Oct. 22, 2011 - Feb. 19, 2012.

Seattle, Washington, Seattle Art Museum, Northwest Modernism: Four Japanese Americans, Mar. 20, 2021 - June 5, 2022.
Published ReferencesQuarterly Bulletin of Art Institute of Seattle, Vol. 1, No. 1, 1931, reproduced p. 7.

Callahan, Kenneth. "The Art Situation; Paintings reflect region." Town Crier, October 21, 1933: pp. 9-10.

Fuller, Richard E. "Some Facts Apropos...," Town Crier, June 24, 1933, reproduced p. 6.

Johns, Barbara. Signs of Home: The Paintings and Wartime Diary of Kamekichi Tokita, in association with Painting Seattle: Kamekichi Tokita and Kenjiro Nomura. Seattle, Washington: University of Washington Press, 2011; pp. 88-89, reproduced fig. 68.

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