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¡Que Sacrificio! (What a Sacrifice!)
¡Que Sacrificio! (What a Sacrifice!)

¡Que Sacrificio! (What a Sacrifice!)

Datelate 18th-early 19th century
Maker Francisco José Goya y Lucientes Spanish, 1746-1828
Label TextWelcome to the eerie and enigmatic world of Los Caprichos! In this astonishing series of prints, Francisco de Goya (1746–1828) takes aim at Spanish society at the close of the 18th century. This was an era marked by numerous social upheavals: the fiscal crises wrought by war and taxation, the shifting power dynamics of the ruling classes, the draconian fanaticism of the Spanish Inquisition, and the turning point in European thought known as the Enlightenment. In sardonic and often surrealistic vignettes, the Los Caprichos series lays bare the outmoded belief systems, irrelevant superstitions, ignorance, decadence, and hypocrisy of the status quo, and it champions reason, justice, social reform, and intellectual freedom. Accompanying texts added by Goya hint at the meaning of each image, which is often obscure to us. Because the series follows no sequential narrative, its stories are open to many interpretations. This etching returns to the theme of unequal partners in marriage. An attractive young woman enters into a union with a hunchbacked, bowlegged older man. His fashionable waistcoat and elaborately patterned breeches indicate his elevated social status, leading us to conclude that the bride is sacrificing her own happiness to secure the groom’s fortune for herself and her family. One contemporary commentator remarked, “The fiancé is not very attractive, but he is rich and, in return for the liberty of an unhappy girl, he buys the security of a hungry family. It is the way of the world.”
Object number44.481
Exhibition HistorySeattle Art Museum, Seattle, Washington, SAM on Paper: Francisco de Goya’s Los Caprichos, October 3, 2025 - March 29, 2026.
Credit LineEugene Fuller Memorial Collection
MediumEtching, aquatint, drypoint
¡Que Se La Llevaron! (They Carried Her Off!)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.533
El Si Pronuncian Y La Mano Alargan Al Primero Que Llega (They Say "Yes" and Give Their Hand To The First Who Comes)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.530
Photo: Elizabeth Mann
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.540
Photo: Elizabeth Mann
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.534
Tal Para Qual (Two of a Kind)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.529
Ni Asi La Distingue (Even This Way He Cannot Make Her Out)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.490
Photo: Elizabeth Mann
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.503
Foolish Precision
Francisco José Goya y Lucientes
ca. 1815
Object number: 35.135
A Caza De Dientes (Out Hunting for Teeth)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.513
Photo: Elizabeth Mann
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.512
Photo: Scott Leen
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.488
Photo: Scott Leen
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.485