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Photo: Eduardo Calderon
Uji River After Rain
Photo: Eduardo Calderon

Uji River After Rain

Datelate 1920's
Label TextThe Uji River, which runs south of Kyoto, has been a popular painting subject since the Heian period (794-1185). Banka and Kôichiro both represent this traditional theme in bird's-eye perspective. They portray the same view of the winding river near the Byôdôin, a famous Buddhist temple, including just enough details, such as the stone pagoda on the small island, to identify the location. Banka combined a blue-green color scheme derived from the ancient yamatoe tradition with brushwork inspired by more recent literati painting to express a sense of refreshed mountain air after rain. In contrast, Kôichiro employed the rich tonalities of ink to convey a similarly atmospheric effect. Variations in density of the ink washes show the gradual clearing of the mist, while the patches of fresh, dark ink suggest the more intense colors of the foliage.
Object number2010.41.67
Photo CreditPhoto: Eduardo Calderon
Published ReferencesMorioka, Michiyo; Berry, Paul. "Modern Masters of Kyoto: The Transformation of Japanese Painting Traditions," Seattle, WA: Seattle Art Museum, 1999, p. 264, illus. 74.
Credit LineGift of Griffith and Patricia Way, in honor of the 75th Anniversary of the Seattle Art Museum
Dimensions78 7/8 x 16 3/4 in. (200.3 x 42.6 cm)
MediumInk and colors on paper
Photo: Eduardo Calderon
late 1920's - early 1930's
Object number: 2010.41.59
Photo: Elizabeth Mann
1920s
Object number: 2010.41.92
ca.1890
Object number: 2010.41.9.1
ca.1890
Object number: 2010.41.9.2
ca.1890
Object number: 2010.41.9.3
Photo: Eduardo Calderon
1920s
Object number: 2010.41.45
Landscapes of the Four Seasons
late 1890s
Object number: 2010.41.11
Photo: Eduardo Calderon
early 1930's
Object number: 2010.41.60
Photo: Eduardo Calderon
late 1930s or later
Object number: 2010.41.63