This stool offers a visual lesson in the changes involved with African art being produced in the 20th century. Its caryatid form was established by court carvers for the Luba kingdom, which prevailed from the 17th century on. An example of a royal woman commemorated by a 19th century carver is in the SAM’s collection, as seen in 81.17.876. All her features are carefully delineated in crisp refinement. Feminine imagery served as a reminder of the important role of women in the court, as they were known to be ambassadors, counselors, priestesses, spirit mediums, and tribute collectors who were sent to the outlying areas of the expansive Luba realm. In contrast, this stool has been carved over a hundred years later and has recast all the features in a hurried manner that seems clumsy and blunt. It is a clear example of a stool carved as a replica for outsiders, not as a monument to women’s leadership.
Wood
19 1/2 in. (49.5 cm)
Diam.: 10 1/2 in.
Gift of an anonymous donor
81.47
Not currently on view
Resources
Published ReferencesMcClusky, Pamela. African Art: From Crocodiles to Convertibles in the Collection of the Seattle Art Museum, Seattle: Seattle Art Museum, 1987; cat. no. 3, p. 10, reproduced.
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