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Standing Buddha

Photo: Paul Macapia

Standing Buddha

mid to late 7th century

The earliest representations of the Buddha in human form originated in India in the first century A.D., and from there spread beyond the subcontinent to the rest of Asia. Certain conventional postures, gestures and attributes became associated with diverse Buddhist images and remained relatively constant despite wide regional and stylistic variations. A distinctive culture called Dvaravati, or sometimes Mon-Dvaravati, emerged in central Thailand between the 7th and 9th centuries. The quintessential Dvaravati Buddhist icon, as seen in Seattle’s exquisite example, was characterized by a standing figure wearing a robe that covered both shoulders, as he performed a gesture of instruction (vitarkamudra) made with both hands, now missing. The source for the Mon-Dvaravati type can be traced back to the Sarnath style of sculpture of Gupta-period India (320-500). The expression of the Dvaravati type however, is unique, with a broad, flat face, full, upturned lips and strongly arched brows.
Sandstone
44 x 18 x 7 in.
Thomas D. Stimson Memorial Collection and Hagop Kevorkian
46.47
Photo: Paul Macapia
location
Now on view at the Asian Art Museum

Resources

Exhibition HistorySeattle, Washington, Seattle Art Museum, "Luminous: The Art of Asia", October 13, 2011 - January 8, 2012

Tokyo, Japan, Suntory Museum of Art, "Luminous Jewels: Masterpieces of Asian Art From the Seattle Art Museum", July 25 - September 6, 2009; Tour Schedule: Kobe City Museum, September 19 - December 6, 2009; Yamanashi Prefectural Museum of Art, December 23, 2009 - February 28, 2010; MOA Museum of Art, March 13 - May 9, 2010; Fukuoka Art Museum, May 23 - July 19, 2010

Vancouver, British Columbia, Vancouver Art Gallery, "Distant Reverence: Buddhist Sculpture From The Seattle Art Museum", August 16 - October 22, 1989 (08/16/1989 - 10/22/1989)

Illinois, Krannert Art Museum, University of Illinois, "Art Of India And Southeast Asia", 1964 (1964)

Seattle, Washington, Seattle World's Fair, Fine Arts Pavilion, "Art of the Ancient East", 1962 (1962)

New York, New York, Asia Society, "Masterpieces Of Asian Art In American Collections", 1960 (1960)

Los Angeles, California, Los Angeles County Museum, "Art of Greater India", 1950 (1950)

San Francisco, California, Golden Gate International Exposition, 1939 (1939)
Published ReferencesKawai, Masatomo, Yasuhiro Nishioka, Yukiko Sirahara, editors. "Luminous Jewels: Masterpieces of Asian Art From the Seattle Art Museum". 2009, The Yomiuri Shimbun, catalogue number 95

"Seattle Art Museum: Bridging Cultures." London: Scala Publishers Ltd. for the Seattle Art Museum, 2007, pp. 72-72, illus. p. 72

"Selected Works." Seattle, WA: Seattle Art Museum, 1991, p. 152

Trubner, Henry. "Asian Art in the Seattle Art Museum: Fifty Years of Collecting." Seattle, WA: Seattle Art Museum, 1983, p. 7, illus. b&w

Czuma, Stanislaw. "Mon-Dvāravatī Buddha," in The Bulletin of the Cleveland Museum of Art, Vol. 67, No. 7 (September 1980), pp. 228-239, p. 230, fig. 3

Lee, Sherman. "A History of Far Eastern Art." Englewood Cliffs, NJ: Prentice-Hall, Inc. and New York: Harry N. Abrams, 1973, no. 139, p. 120

"Sacred Arts," Expo Museum of Fine Arts, Osaka, (1970), pl. III-10, p. 23

Sullivan, Michael. "Chinese and Japanese Art," (1965), p. 28, A

Krannert Art Museum, University of Illinois, "Art Of India And Southeast Asia," cat. (1964), p. 50, no. 69, ill.

"Preview," KLSN Program & Fine Arts Guide (Sept. 1961), p. 7

Asia Society, "Masterpieces of Asian Art in American Collections," cat., (1960), no. 27, ill. p. 44 (unnumbered)

"Art News," January 1960, p. 35

Rowland, B. "Art & Architecture of India," (1953), p. 248, pl. 154

Trubner, Henry. "Oriental Art," Vol. 111, No. 1 (1950), p. 34

"Handbook, Seattle Art Museum: Selected Works from the Permanent Collections." Seattle, WA: Seattle Art Museum, 1951, p. 40 (b&w)

Los Angeles County Museum. "Art of Greater India," cat., (1950), no. 156, p. 97 and figure

S.A.M. "Annual Report, 1946," (1946), p. 7, frontispiece

Fuller, Richard E. Seattle Art Museum (brochure). Seattle, WA: Seattle Art Museum, 1946, p. 18

Golden Gate International Exposition. "Pacific Cultures," cat., (1939), pl. 108

Seattle Art Museum acknowledges that we are on the traditional homelands of the Duwamish and the customary territories of the Suquamish and Muckleshoot Peoples. As a cultural and educational institution, we honor our ongoing connection to these communities past, present, and future. We also acknowledge the urban Native peoples from many Nations who call Seattle their home.

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