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Photo: Eduardo Calderon
Chinese Landscape
Photo: Eduardo Calderon

Chinese Landscape

Dateca. 1925
Maker Hirai Baisen Japanese, 1889-1969
Label TextAfter traveling to China in 1913, Hirai Baisen began to incorporate traditional Chinese subject matter into his modern Japanese painting practice. The white-walled buildings and the boats of the left-hand screen identify this as a Chinese landscape setting. Baisen, more widely known for his rich use of color, explored the expressive possibilities of ink on paper in this dramatic pair of six-panel screens.
Object number2010.41.52.1
Photo CreditPhoto: Eduardo Calderon
Published ReferencesMorioka, Michiyo; Berry, Paul. "Modern Masters of Kyoto: The Transformation of Japanese Painting Traditions," Seattle, WA: Seattle Art Museum, 1999, p. 272-273, illus. 76.
Credit LineGift of Griffith and Patricia Way, in honor of the 75th Anniversary of the Seattle Art Museum
Dimensions67 1/4 x 148 1/2 in. (170.8 x 377.2 cm)
MediumInk on paper
Photo: Eduardo Calderon
Hirai Baisen
ca. 1925
Object number: 2010.41.52.2
View of Myriad Misty Peaks (Joho enka-zu)
Tsuji Kako
ca. 1910
Object number: 98.44.1
View of Myriad Misty Peaks (Joho enka-zu)
Tsuji Kako
ca. 1910
Object number: 98.44.2
Landscapes of the Four Seasons
Morikawa Sobun
late 1890s
Object number: 2010.41.11
Photo: Eduardo Calderon
Hirai Baisen
ca. 1917
Object number: 2010.41.54
Sanjo Bridge
Mochizuki Gyokusen
1896
Object number: 2010.41.7
Landscape with Two Travelers
Suzuki Shonen
1912
Object number: 2010.41.14
Tsuji Kako
Object number: 2010.41.109