Resources
Exhibition HistoryNew York, New York, Union League Club, [Monthly exhibition], Dec. 1870.
Cleveland, Ohio, Cleveland Museum of Art, The Inaugural Exhibition, June 6 - Sept. 20, 1916. Cat. no. 2 (as The Storm, lent by the David Gallery).
Cleveland, Ohio, Cleveland Museum of Art, extended loan, after Sept. 20, 1916 - at least Aug. 1917 (as The Storm).
Brooklyn, New York, The Brooklyn Museum, Albert Bierstadt: Art and Enterprise, Feb. 8 - May 6, 1991 (San Francisco, California, The Fine Arts Museums of San Francisco, June 8 - Sept. 1, 1991; Washington, D.C., National Gallery of Art, Nov. 3, 1991 - Feb. 17, 1992). Text by Nancy Anderson and Linda Ferber. Cat. no. 53, reproduced p. 214.
London, England, Tate Britain. American Sublime, Feb. 21 - May 19, 2002 (Philadelphia, Pennsylvania Academy of the Fine Arts, June 17 - Aug. 25, 2002; Minneapolis, Minnesota, Minneapolis Institute of Arts, Sept. 22 - Nov. 7, 2002). Text by Andrew Wilton and Tim Barringer. Cat. no. 94, reproduced p. 240.
Seattle, Washington, Seattle Art Museum, The View From Here: The Pacific Northwest, 1870-1940, July 1, 2004 - Mar. 27, 2005. No catalogue.
Seattle, Washington, Seattle Art Museum, Beauty and Bounty: American Art in an Age of Exploration, June 30 - Sept. 11, 2011. No catalogue.
Williamstown, Massachusetts, Sterling and Francine Clark Art Insitute, special exhibition to acknowledge Seattle Seahawks/New England Patriots wager in Superbowl XLIX, Apr. 15 - July 20, 2015.
Seattle, Washington, Seattle Art Museum, American Art: The Stories We Carry, Oct. 20, 2022 - ongoing.
Published References[Townley, D. O'C.]. "On the Easel. Return of the Artists to their Studios. Our Notes of an Afternoon." The New York Evening Mail, October 24, 1870: p.1.
"Fine Arts; Union League Club Reception . . . ." New York Times, December 11, 1870: p. 3 [as Puget Sound, Oregon].
"Art Gossip in New York." Anglo-American Times (London), December 31, 1870: p. 12 [as Puget Sound on the Pacific Coast].
Townley, D.O'C. "Living American Artists." Scribner's Monthly 3, no. 5 (March, 1872): p. 608 [as Puget Sound owned by A.A. Low, Esq., of Brooklyn].
[Townley, D.O'C]. "Albert Bierstadt." San Francisco Daily Evening Bulletin, March 16, 1872 [reprint of Scribner's article, March 1872].
{possibly "Personal." Milwaukee Sentinel, January 12, 1871 ["Bierstadt is at work on a large painting of a scene on the Pacific Coast, near Vancouver's Island."].}
Hendricks, Gordon. Albert Bierstadt: Painter of the American West. New York: Harry N. Abrams, Inc., in association with the Amon Carter Museum of Western Art, 1973; p. 230. reproduced fig. 143 [as The Storm, 1870].
Carr, Gerald L. "Albert Bierstadt. The Shore of the Turquoise Sea. In American Paintings from the Manoogian Collection, pp. 52, 54, n. 14. Exh cat. Washington, D.C.: National Gallery of Art, 1989.
Tu, Janet I. "Museum Acquires Long-Sought Painting." Seattle Times, August 3, 2000: pp. B1, B4, reproduced B1.
Raban, Jonathan. "Battleground of the Eye." Atlantic Monthly (March 2001): p. 44, reproduced.
Chong, Alan. "Collecting Pictures for Cleveland." In European and American Painting in the Cleveland Museum of Art, compiled by Alan Chong, p. xvi, reproduced fig. 4.Cleveland, Ohio: The Cleveland Museum of Art, 1993.
Raban, Jonathan. "Introduction." In The Pacific Northwest Landscape: A Painted History, edited by Kitty Harmon. Seattle: Sasquatch Books, 2001; pp. 13, 31, reproduced p. 30.
Raban, Jonathan. "Battleground of the Eye." In Here/There/Nowhere, pp. 6-8, reproduced p. 7. Portland, Oregon: Nobius Projects, 2007.
Seattle Art Museum: Bridging Cultures. London: Scala Publishers Ltd. for the Seattle Art Museum, 2007; p. 25, reproduced.
Junker, Patricia. "A Sense of Place: American Art and the Seattle Art Museum." The Magazine Antiques (November 2008): p. 113, reproduced fig. 1, p. 108.
Junker, Patricia. Albert Bierstadt, Puget Sound on the Pacific Coast: A Superb Vision of Dreamland, in association with Beauty and Bounty: American Art in the Age of Exploration. Seattle, Washington: Seattle Art Museum in association with University of Washington Press, 2011; pp. 10, 12-13, 22, 42 (detail), 44-45 (detail), 46, 50 (detail), 51 (detail), 54, 55, 56 (detail), 57, 64, reproduced figs. 3.1, 3.6, 3.8, 3.13, 3.15.
Land of Beauty and Bounty. Josephone Cheng, producer. KCTS Public Television, Seattle, 2011.
Clemsn, Gayle. "America the Beautiful on Canvas." The Seattle Times, Northwest Ticket supplement, July 1, 2011: p. 28.
Chasan, Daniel Jack. "A New SAM Show is a Foray into our Environmental History." Crosscut, July 11, 2011, crosscut.com.
Haertel, Laura. "'Proper Paintings' of the American Landscape." California Literary Review, July 21, 2011, calitreview.com.
Ybarra, Micahel. "Manifest Destiny in Art." Los Angeles Times, August 21, 2011: p. E10.
Caughill, Daniel. "How Should Christians Engage Art?" Deeply Rooted: Glorifying God in Womanhood Issue # 10, no. 2016: pp. 30-35, reproduced p. 33.
Sterrett, Jill. et al. Planning the Pacific Northwest. Chicago: American Planning Association, 2015; p. xxii, reproduced.
Snyder-Camp, Megan . "At the Experimental Forest." Common-place.org. 17, no. 2 (Winter 2017). http://common-place.org/book/at-the-experimental-forest/
"Albert Bierstadt, Island in the Lake," lot 46, Christie's, American Art, May 22, 2018, reproduced p. 102.