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Narragansett Bay
Narragansett Bay

Narragansett Bay

Date1861
Maker John Frederick Kensett Born Chesire, Connecticut, 1816; died New York City, New York, 1872
Label TextWe “revel in cool atmospheres and transparent waters with Kensett,” wrote one of the artist’s many admiring followers in 1863. Kensett established his reputation in the 1850s with exquisite forest interiors, but by 1860 his art had evolved into delicate studies of the crystalline light that distinguishes the summertime character of Atlantic coast beaches. Newport, Rhode Island, and Narragansett Bay, became one of the artist’s favorite places to paint. In the serene coves which here and there mark the shoreline of this naturally protected harbor, Kensett found inspiration in a distinctive embracing atmosphere and easy rapport with nature, the qualities that would make the area a celebrated summer resort. Everything about this simple picnic scene conveys a sense of peace. A viewer would never suspect that it was painted in the midst of the country’s Civil War.
Object number2001.1054
ProvenanceJohn H. B. Latrobe (1803-1891), Baltimore, Maryland; bequeathed to his daughter, Virginia Isabel Latrobe (Mrs. Andrew Kirkpatrick Cogswell, 1854-1924), 1891; to her son, M. Latrobe Cogswell; presented to Maryland Historical Society, Baltimore; deaccessioned and sold to [Vose Galleries, Boston, Massachusetts, 1969-1970]; sold to Mr. and Mrs. George D. Hart, Ross, California, 1970-1998; sold to donors, Seattle, Washington; to Seattle Art Museum, Seattle Washington, 2001
Exhibition HistoryWashington, D.C., National Gallery of Art, American Light: The Luminist Movement, 1850-1875, Feb. 10 - June 15, 1980. Text by John Wilmerding, et al. No cat. no., pl. 12, reproduced p. 24, fig. 12. Boston, Massachusetts, Museum of Fine Arts, A New World: Masterpieces of American Painting, 1760-1910, Sept. 7 - Nov. 13, 1983 (Washington, D.C., The Corcoran Gallery of Art, Dec. 7, 1983 - Feb. 12, 1984; Paris, France, Grand Palais, Mar. 16 - June 11, 1984). Text by Theodore E. Stebbins, Jr., et al. Cat. no. 42, p. 245, reproduced pl. 42. Seattle, Washington, Seattle Art Museum, The American Landscape's 'Quieter Spirit': Early Paintings by Frederic Edwin Church, June 25 - Oct. 16, 2005. Text by Patricia Junker. Not in catalogue. Seattle, Washington, Seattle Art Museum, Beauty and Bounty: American Art in an Age of Exploration, June 30 - Sept. 11, 2011. No catalogue. Seattle, Washington, Seattle Art Museum, American Art: The Stories We Carry, Oct. 20, 2022 - ongoing.Published ReferencesJunker, Patricia. "A Sense of Place: American Art and the Seattle Art Museum." The Magazine Antiques (November 2008): p. 113, not reproduced. Pierce, Jerald. "How Seattle Art Museum is working to make its American art galleries more inclusive." The Seattle Times, October 25, 2022: reproduced, https://www.seattletimes.com/entertainment/visual-arts/how-seattle-art-museum-is-working-to-make-its-american-art-galleries-more-inclusive. [A version of this article appeared in print on October 30 with the headline: "Re-imagining American art: Seattle Art Museum offers a more expansive, inclusive look at U.S. art" (not reproduced).]
Credit LineGift from a private collection
Dimensions14 x 24 in. (35.6 x 61cm)
MediumOil on canvas
Photo: Elizabeth Mann
John Covert
1922
Object number: 59.149
Photo: Paul Macapia
John Covert
probably after 1915 and before 1923
Object number: 59.153
Winter Scene
John Twachtman
date unknown
Object number: SC2013.1
Photo: Elizabeth Mann
John Singer Sargent
ca. 1895 - 98
Object number: 2001.17
Photo: Susan Cole
John Twachtman
ca. 1894
Object number: 2005.166
Photo: Susan Cole
John Singleton Copley
probably 1772
Object number: 2006.125
Photo: Paul Macapia
Sanford Robinson Gifford
1875
Object number: 90.29
Sail on Bay
1959
Object number: 95.30
Photo: Elizabeth Mann
ca. 1949-50
Object number: 51.217
Fog on the Bay
1913
Object number: 33.221
Photo: Nathaniel Willson
Jasper Johns
1959
Object number: 91.97
Photo: Susan Cole
Jasper Johns
1967
Object number: 2002.67