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Photo: Susan Cole
A Feast
Photo: Susan Cole

A Feast

Date2001
Maker Li Jin Chinese, born 1958
Label TextBrimming with colorful images of a pig's head, chicken feet, and other graphic representations of foodstuff, Li Jin's presentation of Chinese cuisine may not be all it seems at first: what appears to be a sumptuous feast reveals a palate that was shaped by a people who had, on many past occasions, endured starvation and resorted to utilizing every edible part. As the phrase-"eat as much as you can"-in the inscription indicates, the painting celebrates the consumption of food more than the vast repertoire of Chinese cuisine. The random recipe calligraphy is unrelated to the dishes illustrated, serving more as graphic counterpoint. Written in dark ink, the recipes contrast with an essay in light ink about food, which was composed by a friend of the artist.
A Feast celebrates abundance and choice in eating, with images of food and utensils arrayed across the length of the sixty-foot scroll. Calligraphy surrounds and fills the spaces between the images, illustrating recipes that are inspired by the images but not directly connected to the dishes the artist depicts.

The scroll begins with an essay, composed by a friend of the artist over email, about the importance of food in Chinese culture, politics and history. Halfway through, the scroll interjects vivid images of Chinese cuisine, utensils and ingredients, which form the core of the scroll. We first encounter cooked dishes--a whole steamed crab served on a plate, prawns with fried eggs, Shaoxing rice wine, a hotpot, a pot of soup, sliced meat--and then find uncooked foodstuff skewered on sticks that is to be cooked in the hotpot. These two parts of the scroll illustrate what a real Chinese feast might entail, but the logic of the feast then gives way to an increasingly random selection of dishes that are sometimes depicted humorously. The chickens' open eyes, for example, suggest that they are still alive, although the birds are dead, disjoined and served on a dish. The presence of the sandwich is also odd because it would never be served alongside cooked dishes that are consumed with chopsticks. With the depiction of a large pig head and entrails (toward the end of the scroll), the images become more graphic and bold. The scroll ends with the second half of the essay and the artist's admonition, "Eat as much as you can."
Object number2003.119
Photo CreditPhoto: Susan Cole
The scroll could have been lengthened indefinitely. The continuous presentation of food simulates a real feast, where tables can be added to accommodate more dishes.
Li Jin, email correspondence
Exhibition HistoryNew York, New York, Courtyard Gallery, Li Jin, June 2, 2003 - Apr. 11, 2004. Seattle, Washington, Seattle Art Museum, Li Jin and Wen Zhengming, Aug. 29, 2003 - Apr. 11, 2004. Seattle, Washington, Seattle Asian Art Museum, Conceal/Reveal, Dec. 20, 2014 - June 21, 2015.Published ReferencesIshikawa, Chiyo et al. "Seattle Art Museum Downtown." Seattle, WA: Seattle Art Museum, 2007, pp. 34-35, reproduced p. 35. "Seattle Art Museum: Bridging Cultures." London: Scala Publishers Ltd. for the Seattle Art Museum, 2007, pp. 40-41. Upchurch, Michael. "'Conceal/Reveal' at Seattle Asian Art Museum," in The Seattle Times, January 2, 2015, online (http://seattletimes.com/html/thearts/2025353004_saamconcealrevealxml.html)
Credit LinePartial gift of Meg Maggio and the Courtyard Gallery, Beijing and partial purchase with funds from Rebecca and Alexander Stewart, John and Shari Behnke, and the Modern Art Acquisition Fund
Dimensions33 x 708 5/8 in. (83.3 x 1799.9 cm)
MediumHandscroll; ink on Xuan paper