Skip to main content
Collections Menu
SAM'S collection
The Kernal Encounters a Swarm of Crickets
The Kernal Encounters a Swarm of Crickets

The Kernal Encounters a Swarm of Crickets

Date1983
Label TextGaylen Hansen employed a host of animals and insects in his paintings along with his invented frontiersman alter ego, the Kernal. Often situated in landscapes reminiscent of the Palouse region of Washington, where Hansen has lived and worked for most of his life, his fantastical scenes evoke both a specific sense of place and the wonder of impossibility.
Object number88.99
ProvenanceByron W. Todd; sold to the Seattle Art Museum, Seattle, Washington, 1988
Exhibition HistoryPullman, Washington, Washington State University Museum of Art, Gaylen Hansen: The Paintings of a Decade, October 14 - November 17, 1985 (Seattle Art Museum, November 26, 1985 - February 2, 1986; Museum of Art, Pennsylvania State University, March 29 - June 1, 1986; The Art Museum of South Texas, Corpus Christi, July 3 - August 15, 1986; Portland Center for the Visual Arts, Oregon, September 12 - October 19, 1986; San Jose Museum of Art, November 15, 1986 - January 11, 1987; Los Angeles Municipal Art Gallery, Cultural Affairs Dept., January 27 - March 1, 1987). Seattle, Washington, Seattle Art Museum, Views and Visions in the Pacific Northwest, June 7 - September 2, 1990. Seattle, Washington, Seattle Art Museum, Weird and Whimsical: Northwest Art from the Permanent Collection, January 4 - October 14, 2001. Pullman, Washington, Washington State University Museum of Art, Gaylen Hansen: Three Decades of Paintings, February 16 - April 8, 2007. Seattle, Washington, Seattle Art Museum, Freeing the Figure, November 5, 2009 - November 28, 2010. Seattle, Washington, Seattle Art Museum, Poke in the Eye: Art of the West Coast Counterculture, June 21 - September 2, 2024.Published ReferencesKangas, Matthew, "Return to the Viewer: Selected Art Reviews", Midmarch Arts Press, 2011, pg. 102 Darling, Michael et al. Betty Bowen Award: Thirty Years. Seattle, WA: Seattle Art Museum, 2009, illus. p. 8 Platt, Susan. "Paradigms and Paradoxes: Nature, Morality and Art in America," in Art Journal, Vol. 51, No. 2 (Art and Ecology), Summer 1992, pp. 85-88, illus. p. 88, fig. 6 Johns, Barbara. Modern Art from the Pacific Northwest in the Collection of the Seattle Art Museum. Seattle, WA: Seattle Art Museum, 1990, no. 28, p. 32 "Public Invited to Meet Honors Award Artist Gaylen Hansen at Fairwood Library Dedication," in The ARTS, Newsletter of the King County Arts Commission, (May 1987), vol. 16, no. 5 (reproduced)
Credit LineMargaret E. Fuller Purchase Fund and gift of Byron W. Todd in memory of his wife Patricia Todd
Dimensions71 1/2 x 83 in. (181.61 x 210.82 cm)
MediumOil on canvas
Photo: Scott Leen
1888
Object number: 2023.11.100.a-b
Robert Rauschenberg
1960
Object number: 2014.25.62
Photo: Paul Macapia
1976
Object number: 83.43
Photo: Eduardo Calderón
Jackson Pollock
1947
Object number: 58.55
Arshile Gorky
1944
Object number: 74.40
Composition Dramatique
Jean Helion
1939
Object number: 59.38
The Pompeii Clowns
Max Beckmann
1950
Object number: 55.74
Fishing in a Pond
Henri Joseph Harpignies
1866
Object number: 65.114
Photo: Elizabeth Mann
Robert Colescott
1958
Object number: 66.132
Essence of Spring, Chevreuse Valley
Jean Baptiste Armand Guillaumin
ca. 1885
Object number: 67.146
Narcissus
Victoria Dubourg Fantin-Latour
late 19th - early 20th century
Object number: 59.123
The Thames at Lambeth
Lucien Pissarro
1914
Object number: 57.130