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The Head of an African

Photo: Paul Macapia

The Head of an African

ca. 1830

Paul-Jean Flandrin

French, 1811 - 1902

The tight framing of this portrait harnesses intense energy within a small format. The artist provides minimal information, but the painting rivets our attention and arouses our curiosity: Who is this man? What has drawn his gaze? While we may never know the answers to these questions, we do know something about the artist and the conditions that gave rise to this painting.
Oil on canvas mounted on wood panel
8 x 6 3/4 in. (20.3 x 17.1 cm)
European Painting Fund, in honor of the 75th Anniversary of the Seattle Art Museum
2005.112
Photo: Paul Macapia
location
Now on view at the Seattle Art Museum

Africans in European Art

Triptych of the Adoration of the Magi, ca. 1510, Hieronymus Bosch
Africans first appeared widely in European paintings as early as the thirteenth century in scenes of the Adoration of the Magi, the event in which three kings representing different regions of the world gathered to pay homage to the newborn Christ Child. In these presentations, the African magus is endowed with great dignity, befitting his regal position.
Set of the Four Continents- Africa, ca. 1780, English, Derby factory, 64.120
This allegorical image generalizes European associations about the African content into a single figure.
Portrait Study, ca. 1818-19, Théodore Géricault
The French romantic artist Géricault made this finished portrait study while preparing his masterpiece, The Raft of the Medusa, now in the Musée du Louvre. The frontal light picks out the man's features and emphasizes the misery in his eyes, appropriate to the subject of a shipwreck.

France and African Colonialism

France was a colonial power from the early seventeenth century to the mid-twentieth century. The first French colonial empire was based primarily in the New World, but it also included areas in the West Indies and West Africa. A series of colonial conflicts between France and Great Britain during the mid-eighteenth century resulted in the demise of most of the first French colonial empire.

When Jean-Paul Flandrin painted Study of an African's Head, French colonial activity in Africa was primarily centered in Senegal, but it expanded to North Africa as the French invaded Algeria in 1830. This invasion is often considered the beginning of the second French colonial empire. At its peak between 1919 and 1939, French colonies extended over 4,767,000 square miles of land and included territories in Africa, Asia, the Middle East and the South Pacific.

On the map to the left, areas in light blue represent colonies from the first French empire, and areas in dark blue represent colonies from the second French empire. Crosshatched areas mark spheres of French influence, rather than possession.
Map of French colonial empire
Image fromWikipedia, licensed under the GNU Free Documentation License

Character Studies and Narratives

In this painted study of an African man, the artist does not merely record the sitter's features: he has frozen a moment of intense but contained reaction to something outside the frame, implying narrative potential even within the small format. This effect might suggest that the painting was a sketch for a complex narrative painting. Academic artists, however, who were trained to render coolly precise likenesses of living models and ancient sculpture, often created independent character studies as well.

This work shares the exactitude of the academic approach with a smoldering, emotional quality typical of French romantic painting, a style that emphasized subjectivity. We do not know the identity or geographic origin of the sitter; however, because of France's long colonial history in Africa, there were many Africans in France.
Map of Africa from Encyclopaedia Britannica, 1890

Media

148
148
Andy Schultz, Associate Professor of Art History, Pennsylvania State University; Chiyo Ishikawa, SAM Susan Brotman Deputy Director for Art and Curator of European Painting and Sculpture; and Saheed Adejumobi, Associate Professor of History, Seattle University discuss the painting by Jean-Paul Flandrin
Andy Schultz, Associate Professor of Art History, Pennsylvania State University, shares some additional thoughts on Flandrin's painting

Resources

Exhibition HistorySeattle, Washington, Seattle Art Museum, "Black Art II", November 21, 2008 - March 15, 2009
Published ReferencesSeattle Art Museum. Annual Report, 2004-2005, p. 17, illus. p. 8

"Seattle Art Museum: Bridging Cultures." London: Scala Publishers Ltd. for the Seattle Art Museum, 2007, pp. 64-65, illus. p. 64

Seattle Art Museum acknowledges that we are on the traditional homelands of the Duwamish and the customary territories of the Suquamish and Muckleshoot Peoples. As a cultural and educational institution, we honor our ongoing connection to these communities past, present, and future. We also acknowledge the urban Native peoples from many Nations who call Seattle their home.