Brothers Oscar Tuazon and Eli Hansen both participated in the residency program at Pilchuck, and their collaboration builds upon both of their backgrounds: Hansen’s more formal training in glass, and Tuazon’s in sculpture and installation. They are fascinated with countercultural societies and do-it-yourself lifestyles, but are also steeped in the traditions of studio glass in the Pacific Northwest. As such, the bevel-cut crystal forms featured here refer to hippie-era geodesic domes and the mathematical systems by architect Buckminster Fuller that guided them, as well as bourgeois candy dishes and drug paraphernalia.