Skip to main content
Collections Menu
SAM'S collection
Photo: Colleen Kollar Zorn
A Dancer Performing Heron Maiden
Photo: Colleen Kollar Zorn

A Dancer Performing Heron Maiden

Dateca. 1766-68
Label TextThe presence of a samisen, a three-stringed instrument, in a print typically implies a geisha or her apprentice, the geiko. This charming scene highlights the role of girls and women as artist-entertainers in the pleasure quarters. In theory at least, these young girls and their slightly older counterparts, the geisha, were performers, not courtesans.
Object number2013.31.3
Provenance[Egenolf Gallery, Burbank, California]; purchased from gallery by Allan Kollar, Seattle, Washington, 2006; to Seattle Art Museum, Seattle, Washington, 2013
Photo CreditPhoto: Colleen Kollar Zorn
Exhibition HistorySeattle, Washington, Seattle Asian Art Museum, Fleeting Beauty: Japanese Woodblock Prints, Apr. 1 - July 4, 2010. Text by Catherine Roche. Cat. no. 11, reproduced pp. 14, 34. Seattle, Washington, Seattle Asian Art Museum, Renegade Edo: Japanese Prints and Toulouse-Lautrec, July 21 - Dec. 3, 2023. Text by Xiaojin Wu. No cat. no., pp. 36, 100, reproduced pl. 9.
Credit LineGift of Mary and Allan Kollar, in honor of the 75th Anniversary of the Seattle Art Museum
DimensionsSheet size: 8 7/8 x 12 3/4 in. (22.5 x 32.4 cm)
MediumWoodblock print; ink and color on paper
Photo: Elizabeth Mann
Gandy Dancers
ca. 1930
Object number: 33.1859
Fujimusume - Saru - Yakko, The wisteria maiden, the monkey and the three footmen
Fujimusume - Saru - Yakko, The wisteria maiden, the monkey and the three footmen
October 1857
Object number: 98.53.41
Photo: William Wickett
South Wind, Clear Dawn (Gaifu kaisei), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)
Katsushika Hokusai
ca. 1830-32
Object number: 2010.15
Image Not Available for Tago Beach near Eijiri on the Tokaido Highway, Simplified View (Tokaido Eijiri tago-no-ura ryakuzu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)
Tago Beach near Eijiri on the Tokaido Highway, Simplified View (Tokaido Eijiri tago-no-ura ryakuzu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)
Katsushika Hokusai
ca. 1830-33
Object number: 2010.47.2
Image Not Available for Rainstorm beneath the Summit (Sanka haku-u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)
Rainstorm beneath the Summit (Sanka haku-u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)
Katsushika Hokusai
ca. 1830-32
Object number: 2010.47.3
Image Not Available for The Poem of Sangi Hitoshi (Minamoto no Hitoshi), from the series One Hundred Poets, One Verse Each, as Told by the Nurse (Hyakunin isshu uba ga etoki)
The Poem of Sangi Hitoshi (Minamoto no Hitoshi), from the series One Hundred Poets, One Verse Each, as Told by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
ca. 1838
Object number: 2010.47.4
Photo: Colleen Kollar Zorn
The Poem of Ariwara no Narihira (Ariwara no Narihira Ason)
Katsushika Hokusai
ca. 1838
Object number: 2010.47.5
Image Not Available for The Poem of Ono no Komachi, from the series One Hundred Poets, One Verse Each, as Told by the Nurse
The Poem of Ono no Komachi, from the series One Hundred Poets, One Verse Each, as Told by the Nurse
Katsushika Hokusai
ca. 1838
Object number: 2010.47.6
Photo: Colleen Kollar Zorn
In the Well of the Wave off Kanagawa, from the series Thirty-six Views of Mount Fuji
Katsushika Hokusai
1830-32
Object number: 2009.71
Photo: Colleen Kollar Zorn
Yoshida on the Tōkaidō, from the series Thirty-six Views of Mount Fuji
Katsushika Hokusai
ca. 1830-32
Object number: 2010.47.1
Photo: Scott Leen
Confronting the Cherry Spirit
1834
Object number: 85.220
Photo: Scott Leen
Actors in an Offstage Scene
ca. 1850
Object number: 53.136