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Photo: Elizabeth Mann
Peony
Photo: Elizabeth Mann

Peony

Dateca. 1700
Label TextA little known painter of the early Qing period, Sun Yi was said to have specialized in painting flowers and birds, grass and insects, while also excelling in landscapes and human figures. Of the few paintings that are attributable to him, this painting is unusual, because Sun Yi deliberately paints the peony in white, reminding the viewer of its fleeting beauty. The accompanying inscription reads: Stone bridge, west bank, painting east of the bridge, She asks that the rouge be made more red. Even amid wealth and honor there is desolation, No place to entrust roots to face the eastern breeze. (Translated by Professor Jan Walls) Sun Yi thus subverts the usual association of peony with prosperity, which will inevitably come to an end.
Object number2009.20
ProvenanceStephen and May Tse
Photo CreditPhoto: Elizabeth Mann
Exhibition HistorySeattle, Washington, Seattle Asian Art Museum, "Chinese Art: A Seattle Perspective", December 22, 2007 - July 26, 2009 (12/22/2007 - 7/26/2009)
Credit LineGift of Stephen and May Tse in honor of Mimi Gardner Gates
DimensionsOverall: 51 3/16 x 19 11/16 in. (130 x 50 cm)
MediumInk and color on paper
Photo: Spike Mafford
Kitagawa Sosetsu
18th century
Object number: 68.109
Photo: Elizabeth Mann
Object number: 39.257
White Peony
early 17th-late 19th Century
Object number: 49.241
White Peony
Japanese
ca. 1963
Object number: 63.128
Autumn Eve
Kishi Renzan (Gantoku)
1615-1859
Object number: SC81.43
Photo: Paul Macapia
Japanese
17th century
Object number: 75.38.1
Photo: Spike Mafford
Japanese
second half 17th century
Object number: 75.38.2
Photo: Scott Leen
Japanese
Object number: 92.47.323.30