Untitled

1963-73

American, 1931 - 2018

This work by Robert Morris is indicative of the mood of many 1960s artists who were obsessed with objectivity as a corrective to the subjective bias of the Abstract Expressionists. Each time it is installed, the numeric counters are adjusted to record and reflect its position on the museum walls-thus acknowledging its positioning and reliance on architecture as a condition of its display.

Lead, particle board and steel

21 x 21 x 3in. (53.3 x 53.3 x 7.6cm)

Gift of the Contemporary Collectors Forum

2008.66

Provenance: The artist; [Leo Castelli Gallery, New York, NY]

Not currently on view

Resources

Exhibition HistoryNew York, New York, Leo Castelli Gallery, "Robert Morris: Deflationary Objects 1962-1976", November 4 - December 20, 2008

Published ReferencesCatalogue of the Tate Gallery's Collection of Modern Art, The Tate Gallery, London, 1981, p. 545

RM, Paris, 1995, pp. 212, 346

Christophe Cherix, Robert Morris Estampes et Multiples, 1952-1998; Michael Compton and David Sylvester, Robert Morris, The Tate Gallery, London, 1971, p. 58

Thomas Krens, Robert Morris: The Mind/Body Problem, Solomon R. Guggenheim Foundation, New York, pp. 132-133

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