Skip Ribbon Commands
Skip to main content
Seattle Art Museum (SAM)
menu

Five words to describe how to hold the brush

Photo: Elizabeth Mann

Five words to describe how to hold the brush

ca. 1943

Shen Yinmo

Chinese, 1883-1971

In 1943, Shen Yinmo composed an essay, "How to Hold a Brush," his first treatise on calligraphy. He argues that "The key to maneuvering a brush is to master lifting and pressing the brush [i.e. withholding and exerting pressure]. When that is properly done, your writing will become expressive, and the lines and dots will reveal your disposition." Moreover, he also points out the importance of maintaining proper posture, keeping "the fingers and wrist as one, anchored by the arm." Here, Shen has re-written his famous essay for Chang Ch'ung-ho, a rare visual manifestation of his well-known theory.
Calligraphy: Ink on paper
125 x 9 1/2in. (317.5 x 24.1cm)
sheet size: 37 1/2 x 6in. (95.3 x 15.2cm)
Gift of Chang Ch'ung-ho and Hans Frankel from their collection
2010.9.2
Provenance: Ch'ung-ho Chang Frankel, New Haven, CT, to 2009
Photo: Elizabeth Mann
location
Not currently on view

Resources

Published ReferencesC.f., Shanghai Calligraphers Association, ed, Haipai daibiao shufajia xilie zuopin ji--Shen Yinmo (Shanghai: Shanghai Shuhua chubanshe, 2006)

Seattle Art Museum respectfully acknowledges that we are on Indigenous land, the traditional territories of the Coast Salish people. We honor our ongoing connection to these communities past, present, and future.

Learn more about Equity at SAM