Ekwe Mask
20th century
Grandiose headdresses looking in all directions are a vivid part of the festival cycle in one region of Igbo life. This mask is an august example that shows signs of multiple layers of paint added to activate its tableaux. A reciprocal arrangement is supported by the mask’s main red head. Four white faced maidens holding children are matched by four eagles holding a chameleon. Together, they mark the four cardinal points and represent the interwoven fate of people and animals in their communities. Adding to the sense of vitality are songs based on the dynamics of rivalry. “When two eagles perch, one will outshine the other” goes one line, underscoring the importance of competition to the community. Stylistically, dark red and black elements establish a visual duality; white chalk, associated with the purity of spiritual insight, is set against the darkness of dark red faces with mirrored eyes. Remnants of a dense body suit that is worn by the dancer are hanging from the head, the elaborate details and overwrought tailoring marking it out as a type that is expressly meant to be attention-grabbing. This Ekwe mask makes an interesting comparison to the relatively sedate ones of the Afikpo in SAM’s collection.
Wood, natural pigment, cloth, mirror
42 x 20 x 21 in. (106.7 x 50.8 x 53.3 cm)
Gift of Dr. Oliver E. and Pamela F. Cobb
2012.23
Provenance: Clayre and Jay Haft collection, New York, NY; Oliver and Pamela Cobb, to Seattle Art Museum 2012
Photo: Elizabeth Mann
