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SAM'S collection
Photo: Paul Macapia
Male Figure
Photo: Paul Macapia

Male Figure

Date20th century
Label TextIntimacy is not often conveyed in African couples' demeanor. Formal portraits of high character predominate, each partner typically posed with restraint. The specific meaning of this couple is not known, but their feet have weathered away, indicating that they may have stood upright for many years, as was often the case for figures in shrine settings.
Object number81.17.225.1
Provenance{Possibly collection of Georges Rodriquez (location unknown)}; sold to Katherine White (1929-1980), Seattle, Washington, 1968; bequeathed to Seattle Art Museum, Seattle, Washington, 1981
Photo CreditPhoto: Paul Macapia
Exhibition HistoryLos Angeles, California, Frederick S. Wight Art Gallery, University of California, African Art in Motion: Icon and Act, Jan. 20 - Mar. 17, 1974 (Washington, D.C., National Gallery of Art, May 5 - Sept. 22, 1974). Text by Robert Farris Thompson. No cat. no., pp. 49-50, reproduced pl. 52 (as standing male figure). Los Angeles, California, Frederick S. Wight Art Gallery, University of California, The Arts of Ghana, Oct. 11 - Dec. 11, 1977 (Minneapolis, Minnesota, Walker Art Center, Feb. 11 - Mar. 26, 1978; Dallas, Texas, Dallas Museum of Fine Arts, May 3 - July 2, 1978). Text by Herbert M. Cole and Doran H. Ross. No cat. no., p. 229, reproduced fig. 526. Seattle, Washington, Seattle Art Museum, Praise Poems: The Katherine White Collection, July 29 - Sept. 29, 1984 (Washington, D.C., National Museum of African Art, Smithsonian Institution, Oct. 31, 1984 - Feb. 25, 1985; Raleigh, North Carolina Museum of Art, Apr. 6 - May 19, 1985; Fort Worth, Texas, Kimbell Art Museum, Sept. 7 - Nov. 25, 1985; Kansas City, Missouri, Nelson-Atkins Museum of Art, Mar. 8 - Apr. 20, 1986). Text by Pamela McClusky. Cat. no. 15, p. 38, reproduced (with 81.17.225.2). Seattle, Washington, Seattle Art Museum, Art from Africa: Long Steps Never Broke a Back, Feb. 7 - May 19, 2002 (Philadelphia, Pennsylvania, Philadelphia Museum of Art, Oct. 2, 2004 - Jan. 2, 2005; Hartford, Connecticut, Wadsworth Atheneum, Feb. 12 - June 19, 2005; Cincinnati, Ohio, Cincinnati Art Museum, Oct. 8, 2005 - Jan. 1, 2006; Nashville, Tennessee, Frist Center for the Visual Arts, Jan. 27 - Apr. 30, 2006 [as African Art, African Voices: Long Steps Never Broke a Back]). Text by Pamela McClusky. No cat. no., pp. 26-27, reproduced pl. 3.
Credit LineGift of Katherine White and the Boeing Company
Dimensions38 x 5 1/2 x 5 in. (96.52 x 13.97 x 12.7 cm)
MediumWood, leather, beads, and white chalk
Photo: Paul Macapia
Ivorian
20th century
Object number: 81.17.225.2
Standing figure (Nkondi)
Congolese
Object number: 81.17.836
Seated male figure
Ivorian
Object number: 81.17.232
Photo: Paul Macapia
Ivorian
Object number: 81.17.233
Ivorian
20th century
Object number: 81.17.238
Photo: Elizabeth Mann
Papua New Guinea
first quarter 20th century
Object number: 2012.1.2
Photo: Elizabeth Mann
Cote d'Ivoire
20th century
Object number: 2012.29.2
Male figure
Mossi
Object number: 81.17.114.2
Male figure
Baule
Object number: 81.17.236
Photo: Paul Macapia
Cameroonian
19th century
Object number: 81.17.718
Photo: Paul Macapia
Nigerian
Object number: 81.17.606