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Study for a Portrait

Photo: Spike Mafford / Zocalo Studios. Courtesy of the Friday Foundation

Study for a Portrait

1967

Francis Bacon

English, 1909-1992

Beginning in 1948, Bacon’s preferred working method was in thematic series. Study for a Portrait, however, is a rare single composition that was never repeated. The self-referential inclusion of earlier works on the wall behind the seated woman—Three Studies for a Crucifixion (1962) on the right and likely Seated Figures (1962) in the middle—is also unique. Henrietta Moraes, a frequent subject and friend of Bacon, is depicted in Study for a Portrait. Bacon commissioned the photographer John Deakin to take nude photographs of Moraes, and the images of her poses acted as the basis for most of the artist’s female nudes made between 1961 and 1972.
Oil on canvas
61 x 55 in. (154.9 x 139.7 cm)
Gift of the Friday Foundation in honor of Richard E. Lang and Jane Lang Davis
2020.14.7
Provenance: The artist; [Marlborough Fine Art, London]; [Marlborough-Gerson Gallery, New York]; Mr. and Mrs. Joseph Bernstein, New Orleans; [David McKee Gallery, New York]; acquired from the above by Jane and Richard E. Lang, Seattle, 1976; Friday Foundation, Seattle, 2018; Seattle Art Museum, 2020
Photo: Spike Mafford / Zocalo Studios. Courtesy of the Friday Foundation
location
Now on view at the Seattle Art Museum

Resources

Exhibition HistoryLiverpool, England, Walker Art Gallery, John Moores Liverpool Exhibition, Nov. 23, 1967 - Jan. 21, 1968. Cat. no. 14 (as Study for a Portrait, July 1967).

New York, New York, Marlborough-Gerson Gallery, Francis Bacon: Recent Paintings, Nov. 11 - Dec. 7, 1968. Cat. no. 5, pp. 32-33, reproduced.

London, England, Marlborough Fine Art, A Selection of 20th Century British Art, Cunard Marlborough London Gallery on Board Queen Elizabeth 2, May 1969.

Pittsburgh, Pennsylvania, Museum of Art, Carnegie Institute, Pittsburgh International, Oct. 30, 1970 - Jan. 10, 1971. Cat. no. 13, p. 16, reproduced.

New Orleans, Louisiana, New Orleans Museum of Fine Art, New Orleans Collects: A Selection of Works of Art Owned by New Orleanians, Nov. 14, 1971 - Jan. 9, 1972. Cat. no. 377, reproduced.

New York, New York, Museum of Modern Art, Four Contemporary Masters: Giacometti, Bacon, de Kooning, Dubuffet, organized by the International Program of the Museum of Modern Art, under the auspices of the International Council at the Museum of Modern Art (Caracas, Venezuela, Museo de Bellas Artes, Apr. - May, 1973; Bogotá, Colombia, Museo de Arte Moderno, May 30 - June 28, 1973; Mexico City, Mexico, Museo de Arte Moderno, July 19 - Aug. 24, 1973; São Paolo, Brazil, Museu de Arte de São Paulo, Sept. 13 - Oct. 7, 1973; Rίo de Janeiro, Brazil, Museu de Arte Moderno, Oct. 15 - Nov. 4, 1973).

Seattle, Washington, Seattle Art Museum, The Richard and Jane Lang Collection, Feb. 2 - Apr. 1, 1984. Cat. no. 3, pp. 14-15, reproduced.

Washington, D.C., Hirshhorn Museum and Sculpture Garden, Francis Bacon, Oct. 12, 1989 - Jan. 7, 1990 (Los Angeles, California, Los Angeles County Museum of Art, Feb. 11 - Apr. 29, 1990; New York, New York, Museum of Modern Art, May 24 - Aug. 28, 1990). Cat. no. 32, reproduced.

Seattle, Washington, Seattle Art Museum, SAM at 75: Building a Collection for Seattle, May 5 - Sept. 9, 2007.
Published ReferencesRussell, John. Francis Bacon. Greenwich, Connecticut: New York Graphic Society, Ltd., 1971. No cat. no., p. 219, reproduced pl. 87.

A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Seattle: Seattle Art Museum and University of Washington Press, 2008. Reproduced p. 41.

Harrison, Martin. Francis Bacon: Catalogue Raisonné. London: The Estate of Francis Bacon, 2016. Cat. no. 67-11; pp. 724, 726, 728, reproduced p. 725.

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