The Boy
2018
The female figure, the woman of the house, is engaged in the act of “taking tea,” steeped in luxury with an elaborate dress. The ship on top of her head serves as a reminder of the long voyage that brought not only fashionable porcelain but also the commodity of tea to her household. Through two shipwrecked sailors and an enslaved page, Partington exposes the degradation of human life and the reality of trades reliant on precarious ocean voyages and human exploitation. These figures reveal the human cost of the European craze for Chinese products.
Limoges porcelain, glaze, enamel, lustre, and mixed media
24 7/16 x 10 1/4 x 9 1/16 in. (62 x 26 x 23 cm)
Guendolen Carkeek Plestcheeff Endowment for the Decorative Arts
2019.6.3
Provenance: Commissioned from the artist by Seattle Art Museum, Seattle, Washington, 2018
Courtesy of the artist, photo: Dan Weill