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Lynx Boy

Image Coming Soon

Lynx Boy

1980

Ken Mowatt

First Nations, Gitxsan, born 1944

Prints (and other art forms as well) can reference cherished and protected lineage histories, called aadaawk in the Smalgyax language. Or, as in the case of Lynx Boy, they can depict narratives from commonly known stories, or ant’imahlasxw, that are part of an encyclopedic body of knowledge that communicates worldview, values, and life lessons. According to independent curator India Real, through prints “Artists visualize their nationhood and territory. Cultural knowledge and design are passed from print to print and generation to generation. Prints circulate a sense of belonging.”
Silkscreen
22 x 15 in. (55.9 x 38.1 cm)
Gift of R. Bruce and Mary-Louise Colwell
2018.29.129
Provenance: [Pacific Editions Limited, Victoria, British Columbia]; purchased by Bruce and Mary-Louise Colwell, Seattle, Washington, Nov. 21, 2003
location
Not currently on view

Resources

Exhibition HistorySeattle, Washington, Seattle Art Museum, INKED! Northwest Coast Silkscreen Prints from the Colwell Collection, Mar. 5 - Dec. 12, 2021.

Seattle Art Museum respectfully acknowledges that we are on Indigenous land, the traditional territories of the Coast Salish people. We honor our ongoing connection to these communities past, present, and future.

Learn more about Equity at SAM