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Architecture of return, escape (The British Museum)

Photo: Scott Leen

Architecture of return, escape (The British Museum)

2022

Nicholas Galanin

Native American (Tlingit/Unangax̂), born 1979

Galanin’s work engages themes of persistence, power, and survival in the face of settler colonialism and its legacies of institutional racism and collective amnesia. Here, the floor plan of the British Museum is painted over a blue field. Pictograms of baskets, masks, woven hats, weapons, tools, and textiles reference the contested objects held in the museum’s collection, while a red line maps an escape route for these examples of Indigenous cultural production. In many Native cultures, hide paintings relay histories across generations and objects embody lineages; in referencing both, Galanin is proposing a getaway plan for his ancestors.
Pigment and acrylic on deer hide
36 x 55 in. (91.4 x 139.7 cm)
General Acquisition Fund
2022.33
Provenance: The artist; [Peter Blum Gallery, New York]; purchased from gallery by Seattle Art Museum, Seattle, Washington, 2022
Photo: Scott Leen
location
Now on view at the Seattle Art Museum

Resources

Exhibition HistoryNew York, New York, Peter Blum Gallery, It Flows Through, May 7 - July 22, 2022.

Seattle, Washington, Seattle Art Museum, American Art: The Stories We Carry, Oct. 20, 2022 - ongoing.

Seattle Art Museum respectfully acknowledges that we are on Indigenous land, the traditional territories of the Coast Salish people. We honor our ongoing connection to these communities past, present, and future.

Learn more about Equity at SAM