Hinkeet'sam—Sea serpent
Dateca. 1910
Label TextThis headdress is a witness to cultural survival. Annie Watts and George Clutesi were leaders who defied the Canadian government’s ban of traditional practices from 1885 to 1951. Watts cared for this headdress for many years and helped revive songs and dances at Port Alberni. Before Queen Elizabeth’s visit to Victoria in 1951, Watts is recorded in photographs and film as she instructed young girls to perform with it. Graceful sea serpent dances are the prerogative of women and are still ongoing today.
Object number91.1.25
ProvenanceMicheal R. Johnson, Seattle, Washington, until 1971; John H. Hauberg, Seattle, Washington, 1971-1991; Seattle Art Museum, Seattle, Washington
Photo CreditPhoto: Paul Macapia
Exhibition HistorySeattle, Washington, Seattle Art Museum, The Box of Daylight, Sept. 15, 1983 - Jan. 8, 1984.
Seattle, Washington, Seattle Art Museum, Pacific Species, Dec. 12, 2022 - ongoing.Published ReferencesMcDowell, Jim, Father August Branbant: Savior or Scourge? The First Colonial Missionary Among the Nuu-Chah-Nulth, 2012, Ronsdale Press, pg. 388
Holm, Bill, The Spirit Within: Northwest Coast Native Art from the John H. Hauberg Collection, Seattle Art Museum, 1995, pg. 266
Box of Daylight: Northwest Coast Indian Art, Seattle Art Museum, University of Washington Press, 1983, no. 55, p. 46, illus.Credit LineGift of John H. Hauberg
Dimensions9 1/2 x 8 1/2 x 25 in. (24.13 x 21.59 x 63.5 cm)
MediumRed cedar, brass tacks, and paint
First Nations, Nuu-chah-nulth, Hesquiat
ca. 1900
Object number: 91.1.70
First Nations, Nuu-chah-nulth, Hesquiat
late 19th century to first quarter 20th century
Object number: 92.119.1
First Nations, Nuu-chah-nulth, Hesquiat
late 19th century to first quarter 20th century
Object number: 92.119.2
First Nations, Nuu-chah-nulth, Hesquiat
late 19th century to first quarter 20th century
Object number: 92.122.1
First Nations, Nuu-chah-nulth, Hesquiat
late 19th century to first quarter 20th century
Object number: 92.122.2
log in
