Untitled
1961
This and a related drawing (2023.20.2) of bustling city life reflect Jacob Lawrence’s keen powers of observation, great strength as a visual storyteller, and mastery of the high modernist devices of spatial flatness, gestural line, and all-over composition. Both drawings feature local denizens gathered on stoops and leaning on windowsills to witness an urban spectacle of blue-collar laborers and white-collar bourgeoisie, a police brigade, a priest, couples, mothers, and even a cat as they move cinematically across a shallow picture plane. Unlike the close-knit families and neighborhoods celebrated in Lawrence’s earlier Harlem scenes, these city streets teem with a disengaged population that is fragmented, insular, and alienated.
Ink on paper
Framed: 25 3/4 x 31 1/2 in.
Gift of Eve and Chap Alvord in honor of Norman and Constance Rice
2023.20.1
Provenance: [Terry Dintenfass Inc., New York]; Elsie Niedenberg, New York; [DC Moore Gallery, New York]; purchased from gallery by Eve and Chap Alvord, Seattle, Washington, October 1997; gift to Seattle Art Museum, Seattle, Washington, 2023