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A Celebration

Photo: Mark Woods

A Celebration

1924

Georgia O'Keeffe

Born Sun Prairie, Wisconsin, 1887; died Santa Fe, New Mexico, 1986

Even if I could put down accurately certain things that I saw and enjoyed it would not give the observer the kind of feeling the object gave meI had to create an equivalent for what I felt about what I was looking atnot copy it.

Georgia O'Keeffe, 1937

Oil on canvas
34 7/8 x 18 in. (88.6 x 45.7 cm)
Framed: 36 1/4 x 19 3/8 (92.1 x 49.2 cm)
Gift of The Georgia O'Keeffe Foundation
94.89
Provenance: Estate of the artist, 1986; to The Georgia O’Keeffe Foundation, Abiquiu, New Mexico, 1989-1993
Photo: Mark Woods
location
Not currently on view

Resources

Exhibition HistoryNew York, The Anderson Galleries, Seven Americans, Mar. 9 - 28, 1925. Checklist no. 113.

London, England, The Hayward Gallery, Georgia O’Keeffe: American and Modern, Apr. 8 - June 22, 1993 (Mexico City, Mexico, Palacio de Bellas Artes, July 15 - Oct. 1, 1993; Yokohama, Japan, Yokohama Museum of Art, Oct. 30, 1993 - Jan.16, 1994). Text by Charles C. Eldredge. Cat. no. 46, pp. 171, 223.

Zürich, Switzerland, Kunsthaus Zürich, Georgia O’Keeffe, Oct. 23, 2003 - Feb. 1, 2004. Cat. no. 14, p. 192, reproduced p. 77.

Seattle, Washington, Seattle Art Museum, Modern in America, July 8, 2004 - Feb. 27, 2005. No catalogue.

Glens Falls, New York, The Hyde Collection, Modern Nature: Georgia O'Keeffe and Lake George, June 15 - Sept. 15, 2013.* Text by Erin B. Coe, Gwendolyn Owens, and Bruce Robertson. Cat. no. 27, p. 196, reproduced pl. 142. [*exhibition organized by the Hyde Collection and circulated to the Georgia O'Keeffe Museum and the Fine Arts Museums of San Francisco, but A Celebration was lent to Hyde Collection only].

London, England, Tate Modern, Georgia O'Keeffe, July 6 - Oct. 30, 2016.* Text by Tanya Barson, et al. No cat. no., reproduced fig. 69, p. 74 [*exhibition organized by Tate Modern and circulated to Bank Austria Kunstforum Wien and Art Gallery of Ontario, Toronto, but A Celebration was lent to Tate Modern only].
Published ReferencesKalonyme, Louis. “Georgia O’Keeffe: A Woman in Painting,” Creative Art 2, no. 1 (January 1928): p. xxxix, reproduced [as Cloud Forms].

Peters, Sarah Whitaker. Becoming O’Keeffe: The Early Years. New York: Abbeville Press, 1991; pp. 225; 326, n. 79; 334, n. 32 [as location unknown].

“O’Keeffe Painting Displayed in Seattle,” Moscow, Idaho, and Pullman, Washington, Daily News, November 17, 1994.

Lynes, Barbara Buhler. Georgia O’Keeffe: Catalogue Raisonné, 2 vols. New Haven and London: Yale University Press for the National Gallery of Art and The Georgia O’Keeffe Foundation, 1999; Vol. 1, no. 452, p. 245, reproduced; Vol. 2, Appendix III, figure 27, p. 1116.

Seattle Art Museum acknowledges that we are on the traditional homelands of the Duwamish and the customary territories of the Suquamish and Muckleshoot Peoples. As a cultural and educational institution, we honor our ongoing connection to these communities past, present, and future. We also acknowledge the urban Native peoples from many Nations who call Seattle their home.

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