Resources
Exhibition HistoryCleveland, Ohio, Cleveland Museum of Art, African Tribal Images: The Katherine White Reswick Collection, July 10 - Sept. 1, 1968 (Philadelphia, Pennsylvania, University of Pennsylvania Museum, Oct. 10 - Dec. 1, 1968). Text by William Fagg. Cat. no. 10 (as Antelope Headdress).
Los Angeles, California, Frederick S. Wight Art Gallery, University of California, African Art in Motion: Icon and Act, Jan. 20 - Mar. 17, 1974 (Washington, D.C., National Gallery of Art, May 5 - Sept. 22, 1974). Text by Robert Farris Thompson. No cat. no., p. 92, reproduced pl. 123 (as "chi wara").
Seattle, Washington, Seattle Art Museum, Praise Poems: The Katherine White Collection, July 29 - Sept. 29, 1984 (Washington, D.C., National Museum of African Art, Smithsonian Institution, Oct. 31, 1984 - Feb. 25, 1985; Raleigh, North Carolina Museum of Art, Apr. 6 - May 19, 1985; Fort Worth, Texas, Kimbell Art Museum, Sept. 7 - Nov. 25, 1985; Kansas City, Missouri, Nelson-Atkins Museum of Art, Mar. 8 - Apr. 20, 1986). Text by Pamela McClusky. Cat. no. 31, pp. 70-71, reproduced (as Female antelope headdress (Tjiwara muso)).
New York, New York, Metropolitan Museum of Art, Genesis: Origins in African Sculpture, Oct. 20, 2002 - July 4, 2003.
Philadelphia, Pennsylvania, Philadelphia Museum of Art, African Art, African Voices: Long Steps Never Broke a Back, organized by the Seattle Art Museum, Oct. 2, 2004 - Jan. 2, 2005 (Hartford, Connecticut, Wadsworth Atheneum, Feb. 12 - June 19, 2005; Cincinnati, Ohio, Cincinnati Art Museum, Oct. 8, 2005 - Jan. 1, 2006; Nashville, Tennessee, Frist Center for the Visual Arts, Jan. 27 - Apr. 30, 2006). Text by Pamela McClusky. No cat. no., pp. 52-53, reproduced pl. 30 (as Farming-animal crest mask (tyi wara)).
Published ReferencesMcClusky, Pamela. African Art: From Crocodiles to Convertibles in the Collection of the Seattle Art Museum, Seattle: Seattle Art Museum, 1987; p. 3, reproduced (as Female antelope headdress).