menu

Gela Mask (The Ancient One)

Gela Mask (The Ancient One)

Animal anatomy seems to explode off this face. If you look carefully, there are tiny round eyeholes that show the core of the explosion is human. Such a mask was worn only by an auspicious judge who arrived when social tensions were erupting. Visually armed, this masker reminded people that they should not model themselves after the untamed creatures of the forest that used their horns and teeth to attack each other. Instead, this "Ancient One" came to absorb all such beastly instincts and return that fierce energy to the forest where animals could make use of it.
Wood, raffia, cloth, teeth, horn, feathers, hair, fiber cord, cowrie shells, mud, and pigment
31 7/8 x 18 x 10 15/16 in. (81 x 45.7 x 27.8 cm)
Gift of Katherine White and the Boeing Company
81.17.193
Provenance: Collected by Mamadi Kaba, Monrovia, Liberia, from Pine, Grand Gedeh County, Liberia, between Tschien and Patu Mountains; sold to Svend E. Holsoe (1939-2017), Professor Emeritus of Anthropology at the University of Delaware, 1968; sold to Katherine White (1929-1980), Seattle, Washington, 1968; bequeathed to Seattle Art Museum, Seattle, Washington, 1981
location
Now on view at the Seattle Art Museum

Resources

Exhibition HistoryLos Angeles, California, Frederick S. Wight Art Gallery, University of California, African Art in Motion: Icon and Act, Jan. 20 - Mar. 17, 1974 (Washington, D.C., National Gallery of Art, May 5 - Sept. 22, 1974). Text by Robert Farris Thompson. No cat. no., p. 121, reproduced fig. H-1 (as mask).

Seattle, Washington, Seattle Art Museum, Praise Poems: The Katherine White Collection, July 29 - Sept. 29, 1984 (Washington, D.C., National Museum of African Art, Smithsonian Institution, Oct. 31, 1984 - Feb. 25, 1985; Raleigh, North Carolina Museum of Art, Apr. 6 - May 19, 1985; Fort Worth, Texas, Kimbell Art Museum, Sept. 7 - Nov. 25, 1985; Kansas City, Missouri, Nelson-Atkins Museum of Art, Mar. 8 - Apr. 20, 1986). Text by Pamela McClusky. Cat. no. 53, pp. 116-7, reproduced (as Mask).

Washington, D.C., National Museum of African Art, Smithsonian Institution, African Art In The Cycle of Life, Sept. 9, 1987 - Mar. 20, 1988.

Seattle, Washington, Seattle Art Museum, Disguise: Masks and Global African Art, June 18 - Sept. 7, 2015 (Los Angeles, California, Fowler Museum at UCLA, Oct. 18, 2015 - Mar. 13, 2016; Brooklyn, New York, Brooklyn Museum, Apr. 29 - Sept. 18, 2016).
Published ReferencesMcClusky, Pamela. African Art: From Crocodiles to Convertibles in the Collection of the Seattle Art Museum, Seattle: Seattle Art Museum, 1987; cat. no. 13, pp. 24-25, reproduced (as Mask).

McClusky, Pamela. "Art of Africa." In Selected Works, pp. 35-52. Seattle: Seattle Art Museum, 1991; p. 50, reproduced (as Mask).


Seattle Art Museum respectfully acknowledges that we are on Indigenous land, the traditional territories of the Coast Salish people. We honor our ongoing connection to these communities past, present, and future.

Learn more about Equity at SAM

Supported by Microsoft logo