Resources
Exhibition HistoryCleveland, Ohio, the Cleveland Museum of Art, African Tribal Images: The Katherine White Reswick Collection, July 10-September 1, 1968; the University of Pennsylvania Museum, October 10-December 1, 1968
Brooklyn, New York, the Brooklyn Museum, African Sculpture, 1970.
Los Angeles, California, Frederick S. Wight Art Gallery, University of California, African Art in Motion: Icon and Act, January 20-March 17, 1974; National Gallery of Art, Washington D.C., April 21-July 30, 1974.
Seattle, Washington, Seattle Art Museum, Art from Africa: Long Steps Never Broke A Back, Philadelphia Museum of Art, Wadsworth Atheneum, Cincinnati Art Museum, Frist Center for the Visual Arts, February 7, 2002 - April 30, 2006
Seattle, Wash., Seattle Art Museum, Disguise: Masks and Global African Art, June 18–Sept. 7, 2015 (Los Angeles, Calif., UCLA, Fowler Museum of Cultural History, Oct. 18, 2015–Mar. 13, 2016; Brooklyn, N.Y., Brooklyn Museum, Apr. 29–Sept. 18, 2016).
Published ReferencesThe Cleveland Museum of Art, Cleveland, Ohio, African Tribal Images: The Katherine White Reswick Collection, 1968, no. 58
The Brooklyn Museum, New York, New York, African Sculpture, Michael Kan, 1970, p. 49 exhibition catalog
University of California Press, Berkley and Los Angeles, California, African Art in Motion: Icon and Act, Robert Farris Thompson, 1974, p. 158, plate color VII, exhibition catalog
Seattle Art Museum, Praise Poems: The Katherine White Collection, 1984, no. 44 exhibition catalog
McClusky, Pamela. African Art: From Crocodiles to Convertibles in the Collection of the Seattle Art Museum, Seattle, WA: Seattle Art Museum, 1987, no. 14, pp. 26-27
Cameron, Elisabeth L. Men Portraying Women: Representations in African Masks, in African Arts, Vol. 31, No. 2 (Special Issue: Women's Masquerades in Africa and the Diaspora), Spring 1998, pp. 72, 79, illus. p. 79
McClusky, Pamela, Art from Africa: Long Steps Never Broke A Back, Seattle Art Museum, 2002, pg. 184