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Mother and Child

Photo: Paul Macapia

Mother and Child

Nana Osei Bonsu

Ghanaian, Asante, 1900-1977

Nana Bonsu was a prolific carver, working for Asante chiefs and even American presidents. In this case, a drum ensemble commissioned him to carve a centerpiece for their performances. Formality prevails as this mother sits and portrays nursing as a symbolic act, not an emotional bond.
Wood, gold, and silver leaf
17 11/16 x 5 3/4 x 6 1/2 in. (45 x 14.6 x 16.5 cm)
Gift of Katherine White and the Boeing Company
81.17.323
Provenance: [Merton D. Simpson Gallery, New York]; by exchange, to Katherine White (1929-1980), Seattle, Washington, 1961; bequeathed to Seattle Art Museum, Seattle, Washington, 1981
Photo: Paul Macapia
location
Now on view at the Seattle Art Museum

Resources

Exhibition HistoryLos Angeles, California, Frederick S. Wight Art Gallery, University of California, African Art in Motion: Icon and Act, Jan. 20 - Mar. 17, 1974 (Washington, D.C., National Gallery of Art, May 5 - Sept. 22, 1974). Text by Robert Farris Thompson. No cat. no., pp. 46-48, reproduced pls. II (color), 50.

Los Angeles, California, Frederick S. Wight Art Gallery, University of California, The Arts of Ghana, Oct. 11 - Dec. 11, 1977 (Minneapolis, Minnesota, Walker Art Center, Feb. 11 - Mar. 26, 1978; Dallas, Texas, Dallas Museum of Fine Arts, May 3 - July 2, 1978).

Indianapolis, Indiana, Indianapolis Museum of Art, Egypt in Africa, Aug. 24 - Nov. 24, 1996.

Seattle, Washington, Seattle Art Museum, Art from Africa: Long Steps Never Broke a Back, Feb. 7 - May 19, 2002 (Philadelphia, Pennsylvania, Philadelphia Museum of Art, Oct. 2, 2004 - Jan. 2, 2005; Hartford, Connecticut, Wadsworth Atheneum, Feb. 12 - June 19, 2005; Cincinnati, Ohio, Cincinnati Art Museum, Oct. 8, 2005 - Jan. 1, 2006; Nashville, Tennessee, Frist Center for the Visual Arts, Jan. 27 - Apr. 30, 2006 [as African Art, African Voices: Long Steps Never Broke a Back]). Text by Pamela McClusky. No cat. no., pp. 24-25, reproduced pl. 2.
Published ReferencesCole, Herbert M. and Doran H. Ross. The Arts of Ghana, cat., fig. 353, p. 176

McClusky, Pamela. African Art: From Crocodiles to Convertibles in the Collection of the Seattle Art Museum, Seattle: Seattle Art Museum, 1987; cat. no. 5, pp. 12-13, reproduced.

Teeter, Emily. "Review: Egypt in Africa." African Arts, vol. 30, no. 2 (Spring 1997): pp. 70-72, reproduced.

Seattle Art Museum respectfully acknowledges that we are on Indigenous land, the traditional territories of the Coast Salish people. We honor our ongoing connection to these communities past, present, and future.

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