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Seattle Art Museum (SAM)

Basinjom mask and gown

Photo: Paul Macapia

Basinjom mask and gown


Basinjom suddenly appears like a mystic hovercraft, to assault negative personalities. Raising the front of his gown, Basinjom is accompanied by a small orchestra and many witnesses. He stalks evil in the audience of villagers and is likely to confront a person known for extreme selfishness or deceit. He recites the misdeeds or nasty words of the person in question, demanding confessions, and publicly humiliates the guilty.

Through Basinjom, the Banyang of Nigeria and Cameroon create a way of denouncing disruptive personalities. His arsenal includes feathers from a blue war bird to signify strength. Mirrored eyes enable his vision to penetrate into the secret realms of hidden thoughts. The hide of a genet cat is stretched across the chest to act like a shield, and the snout of a crocodile leads his hunting instincts to wage his unique battle with selfish people.
Cotton cloth, wood, feathers, porcupine quills, mirrors, herbs, raffia, cowrie shells, rattle, eggshell, knife, genet cat skin, indigo dye
34 1/4 x 17 11/16 x 19 11/16 in. (87 x 45 x 50 cm)
Gift of Katherine White and the Boeing Company
Provenance: Purchased by Robert Farris Thompson, Professor Emeritus of Art History at Yale University, from members of the Mbang clan of the Banyang people in the central area of the Cross River in Cameroon in 1973
Photo: Paul Macapia
Not currently on view


Exhibition HistoryWashington, D.C., National Museum of African Art, The Smithsonian Institution, Praise Poems: The Katherine White Collection, Oct. 31, 1984 - Feb. 25, 1985 (Raleigh, North Carolina Museum of Art, Apr. 6 - May 19, 1985; Fort Worth, Texas, Kimball Art Museum, Sept. 7 - Nov. 25, 1985; Kansas City, Missouri, Nelson Atkins Museum of Art, Mar. 8 - Apr. 20, 1986).

Atlanta, Georgia, High Museum of Art, Rings: Five Passions In The Art World, July 4, 1996 - Sept. 29, 1996

Seattle, Washington, Seattle Art Museum, Art from Africa: Long Steps Never Broke A Back, Feb. 7 - May 19, 2002 (Philadelphia, Pennsylvania, Philadelphia Museum of Art, Oct. 2, 2004 - Jan. 2, 2005); Hartford, Connecticut, Wadsworth Atheneum, Feb. 12 - June 19, 2005; Cincinnati, Ohio, Cincinnati Art Museum, Oct. 8, 2005 - Jan. 1, 2006; Nashville, Tennessee, Frist Center for the Visual Arts, Jan. 27 - Apr. 30, 2006). Text by Pamela McClusky. No cat. no., pp. 214, 221, reproduced pl. 89.

Seattle, Washington, Seattle Asian Art Museum, Mood Indigo: Textiles from Around the World, Apr. 9 - Oct. 9, 2016.
Published ReferencesSelected Works, Seattle, WA: Seattle Art Museum, 1991, p. 51

Seattle Art Museum acknowledges that we are on the traditional homelands of the Duwamish and the customary territories of the Suquamish and Muckleshoot Peoples. As a cultural and educational institution, we honor our ongoing connection to these communities past, present, and future. We also acknowledge the urban Native peoples from many Nations who call Seattle their home.

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