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Photo: Paul Macapia
Female figure
Photo: Paul Macapia

Female figure

Label TextFor the Luba in the Democratic Republic of the Congo the motif of a kneeling woman is a sign of social allegiance and respect. The kneeling woman as icon among the Luba expresses moral rightness deepened with a timeless certainty.
Object number81.17.871
Provenance[Galerie Concorde, Los Angeles, California]; purchased from gallery by Katherine White (1929-1980), Seattle, Washington, 1972; bequeathed to Seattle Art Museum, Seattle, Washington, 1981
Photo CreditPhoto: Paul Macapia
Exhibition HistoryLos Angeles, California, Frederick S. Wight Art Gallery, University of California, African Art in Motion: Icon and Act, Jan. 20 - Mar. 17, 1974 (Washington, D.C., National Gallery of Art, May 5 - Sept. 22, 1974). Text by Robert Farris Thompson. No cat. no., pp. 81-82, reproduced pl. 109 (as kneeling female figure). Seattle, Washington, Seattle Art Museum, Art from Africa: Long Steps Never Broke a Back, Feb. 7 - May 19, 2002 (Philadelphia, Pennsylvania, Philadelphia Museum of Art, Oct. 2, 2004 - Jan. 2, 2005; Hartford, Connecticut, Wadsworth Atheneum, Feb. 12 - June 19, 2005; Cincinnati, Ohio, Cincinnati Art Museum, Oct. 8, 2005 - Jan. 1, 2006; Nashville, Tennessee, Frist Center for the Visual Arts, Jan. 27 - Apr. 30, 2006 [as African Art, African Voices: Long Steps Never Broke a Back]). Text by Pamela McClusky. No cat. no., pp. 45-46, reproduced pl. 19 (as Kneeling figure).
Credit LineGift of Katherine White and the Boeing Company
Dimensions12 3/16 x 3 15/16 x 5 1/8 in. (30.9 x 10 x 13 cm)
MediumWood and encrustations