Double axes adorn this woman's head to show her alliance with Sango's moral fire. She kneels before his authority to present an offering. Such generosity is considered a noble gesture of morality and ensures that Sango will consider blessing her with children and wealth.
Wood
19 7/8 x 7 9/16 x 4 5/8 in. (50.5 x 19.2 x 11.7 cm)
Eugene Fuller Memorial Collection
67.91
Photo: Susan A. Cole
Now on view at the
Seattle Art Museum
Resources
Exhibition HistoryPhiladelphia, Pennsylvania, Philadelphia Museum of Art, African Art, African Voices: Long Steps Never Broke a Back, organized by the Seattle Art Museum, Oct. 2, 2004 - Jan. 2, 2005 (Hartford, Connecticut, Wadsworth Atheneum, Feb. 12 - June 19, 2005; Cincinnati, Ohio, Cincinnati Art Museum, Oct. 8, 2005 - Jan. 1, 2006; Nashville, Tennessee, Frist Center for the Visual Arts, Jan. 27 - Apr. 30, 2006). Text by Pamela McClusky. No cat. no., pp. 46-47, reproduced pl. 22 (as Thunder god dance wand).
Published ReferencesLawal, Babatunde, Visions of Yoruba, Cleveland Museum of Art, 2012, published by 5 Continents, pl. 22
Seattle Art Museum respectfully acknowledges that we are on Indigenous land, the traditional territories of the Coast Salish people. We honor our ongoing connection to these communities past, present, and future.