Galukw'amhl (Mask of the Crooked Beak)
Dateca. 1940
Maker
Willie Seaweed (Hilamas)
Kwakwaka'wakw, 'Nak'waxda'xw, Blunden Harbour, 1873 - 1967
Label TextThis impressive mask was part of the t'seka ceremonial's hamat'sa initiation, and represents one of the associates of the cannibal spirit Baxwbakwalanukwsiwe'. The masks are worn in a dance by an initiate who personifies the cannibal spirit during a complex ceremony in which the initiate is tamed and pacified, ultimately exhibiting the preferred and honored behavior of a high-ranking person. Willie Seaweed created this mask during the time traditional dances were banned by the Canadian government (1884-1951). His art, however, continued to flourish, and the dance tradition carried on. Masks such as this crooked beak are still made and used in dances by contemporary Kwakwaka’wakw artists and inheritors of this privilege.
Willie Seaweed's crooked-beak mask, or galukw'amhl in Kwakwala language, was made originally as part of a set of hamatsa masks, which are among the most dramatic of Kwakwaka'wakw sculpture. The hamatsa masks are used in the tseyka, or red cedar bark ceremony, and represent the associates of the cannibal spirit Baxwbakwalanukwsiwe'. The masks are worn in a dance by an initiate who personifies the cannibal spirit during a complex ceremony in which the initiate is tamed and pacified, ultimately exhibiting the preferred and honored behavior of a high-ranking person. The privilege and right to become a hamatsa initiate is inherited and is one of the most highly regarded of all tseyka performances. Willie Seaweed created this mask during the time when traditional tseyka dances were banned by the Canadian government. His art, however, continued to flourish, and the dance tradition carried on. Masks such as this crooked beak are still made and used in dances by contemporary Kwakwaka'wakw artists and inheritors of this privilege.
Object number91.1.1
ProvenanceMicheal R. Johnson, Seattle, Washington, until 1973; John H. Hauberg, Seattle, Washington, 1973-1991; Seattle Art Museum, Seattle, Washington
Photo CreditPhoto: Paul Macapia
Exhibition HistorySeattle, Washington, Pacific Science Center, Smoky-Top: The Art and Times of Willie Seaweed, September 1983 - February 1984Published ReferencesThe Spirit Within: Northwest Coast Native Art from the John H. Hauberg Collection, Seattle Art Museum, 1995, pg. 193, 208Credit LineGift of John H. Hauberg
Dimensions33 7/8 x 11 x 9 1/2 in. (86 x 27.9 x 24.1 cm)
MediumRed cedar, paint, red cedar bark, mahogany plywood, leather, cord
Mungo Martin (Nakapankam)
ca. 1940
Object number: 91.1.7
Native American, Kwakwaka'wakw
ca. 1940
Object number: 91.1.13
First Nations, Nuu-chah-nulth, Hesquiat
ca. 1900
Object number: 91.1.70