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Photo: Susan Cole
Cylinder vase depicting scribes in the Underworld
Photo: Susan Cole

Cylinder vase depicting scribes in the Underworld

Dateca. 600 - 900
Maker Maya
Label TextFor the Maya, death called the soul to xibalba, the K'iche Maya word for the Underworld, literally "place of fright." There, one faced a series of trials and competitions with the Lords of Death. This journey was part of the mythology of the Hero Twins who appear in the sacred Maya book, the Popol Vuh. They deceive and defeat the Lords of Death, escape xibalba, and in so doing offer hope for salvation for all who follow. The scene depicted on this vessel might be one of a competition with the seated lord. The dragon, with its jaws wide open, signals the potential bloody outcome for these ten dead souls.
Depicted around this cylinder vase is a scene of the Maya Underworld, or "black hole," known as xibalba. Ten toothless scribes wearing beaded necklaces appear seated in procession, on their way toward a seated god who wears an elaborate headdress and holds out a feather brush, perhaps in a gesture of blessing. Just behind them, however, with its jaws wide open, is a serpentlike dragon with antlers and a swirling beard, ready to swallow. Along the top of the vessel, just below the band of orange-red paint around the rim, are a series of black outlined Maya glyphs, part of a complex calligraphic writing system that is based on phonetic signs. These glyphs might refer to the owner or patron of the vessel, the contents it was intended to hold, the scene painted on the surface or even the artist. The cylindrical shape of this vessel indicates its function as a drinking cup, specifically for the consumption of a frothy, bitter beverage made from cacao.
For the Maya, death called the soul to Xibalba, literally meaning the “place of fright,” where one faced trials and competitions with the Lords of Death. In the sacred Maya book Popol Vuh, the Hero Twins deceive and defeat them and escape Xibalba, offering hope for others. The scene depicted here might be a competition between a seated lord and several scribes. The dragon with its jaws wide open signals the potential for an unfortunate outcome.
Object number81.109
Provenance[André Emmerich Gallery, New York], by 1970; purchased from gallery by John H. Hauberg (1916-2002), Seattle, Washington, 1970; to Seattle Art Museum, Seattle, Washington, 1981
Photo CreditPhoto: Susan Cole
They were taken over the road to Xibalba and then they arrived at the council room of the Lords of Xibalba, they had already lost the match.
From the <i>Popol Vuh</i>
Exhibition HistorySeattle, Washington, Seattle Art Museum, Art of the Ancient Americas, July 10, 1999 - May 11, 2003. Seattle, Washington, Seattle Art Museum, Feasting with the Gods: Art and Ceremony in Ancient Mesoamerican and the Central Andes, Dec. 11, 2003 - July 18, 2004. Seattle, Washington, Seattle Art Museum, Cosmic Beings in Mesoamerican and Andean Art, Nov. 10, 2018 - ongoing.Published ReferencesTremain, Cara Grace. "Taking Ancient Maya Vases Off Their Pedestals: A Case Study in Optical Microscopy and Ultraviolet Light Examination." In Contextualizing Museum Collections at the Smithsonian Institution: The Relevance of Collections-Based Research in the Twenty-First Century, edited by Maria M. Martinez, Erin L. Sears, and Lauren E. Sieg, pp. 173, 175, reproduced fig. 6a. Washington, D.C.: Smithsonian Institution Scholarly Press, 2022.
Credit LineGift of John H. Hauberg
Dimensions7 13/16 in. (19.9 cm)
MediumCeramic with colored slip