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Photo: Nathaniel Willson
Tau, from the Element series
Photo: Nathaniel Willson

Tau, from the Element series

Date1970
Maker Carl Andre American, 1935 - 2024
Label TextA cruciform timber sculpture, Tau offers associations as wide-reaching as spirituality, totemic structures, and the earth itself. Known for his sculptures made of industrial materials, Andre’s earliest works, made between 1958 and 1959, were of carved wood. From 1960 to 1964, he worked as a brakeman and conductor on the Pennsylvania Railroad, but later returned to sculpting with this natural material in works until 1978. Andre’s homage, written in 1978, resonates with the theme of renewal and nature as a source of life: “Wood is the mother of matter…she renews herself by giving, gives herself by renewing. Wood is the bride of life in death, of death in life. She is the cool and shade and peace of the forest. She is the spark and ear, ember and dream of the hearth. In death her ashes sweeten our bodies and purify our earth.
Object number83.247
ProvenanceCollection of Sidney (d. 1965) and Anne Gerber (1910-2005), Seattle, Washington, by 1977; to Seattle Art Museum, Seattle, Washington, 1983
Photo CreditPhoto: Nathaniel Willson
Exhibition HistoryPullman, Washington, Washington State University Museum of Art, Two Decades, 1957-1977: American Sculptures from Northwest Collections, Oct. 7 - Nov. 18, 1977. Seattle, Washington, Seattle Art Museum, American Sculpture: Three Decades from Northwest Collections, Nov. 15, 1984 - Jan. 27, 1985. Vancouver, British Columbia, Canada, Vancouver Art Gallery, [permanent collection installation], May 1995 - Apr. 1996. Seattle, Washington, Seattle Art Museum, Minimalism: Aftermath and Affinities, Mar. 27 - Aug. 25, 1996. Seattle, Washington, Seattle Art Museum, Collection Highlights: 1945 to the Present, Sept. 12, 1996 - June 1, 1997. Seattle, Washington, Seattle Art Museum in collaboration with the Shaker Museum and Library, Old Chatham, New York, Creating Perfection: Shaker Objects and Their Affinities, Oct. 5, 2000 - Apr. 29, 2001. Seattle, Washington, Seattle Art Museum, International Abstraction: Making Painting Real, May 2, 2003 - Feb. 29, 2004. Seattle, Washington, Seattle Art Museum, Reclaimed: Nature and Place Through Contemporary Eyes, June 30 - Sept. 11, 2011. Seattle, Washington, Seattle Art Museum, The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, Mar. 16 - Oct. 27, 2013. Beacon, New York, Dia:Beacon, Carl Andre: Sculpture as Place, 1958-2010, May 4, 2014 - Mar. 9, 2015. Checklist no. 3.Published ReferencesAndre, Carl and R. H. Fuchs. Carl Andre: Wood. Exh. Cat. Eindhoven, Netherlands: Van Abbesmuseum Eindohoven, 1978; cat. no. 42, reproduced. Carl Andre: Sculptures 1958-2011. Catalogue raisonné [CD-ROM]. Belgium, Brussels: Registry Carl Andre, 2011; cat. no. 1960-01, p. 5, reproduced.
Credit LineGift of Sidney and Anne Gerber in honor of the museum's 50th year
Dimensions47 1/2 x 35 3/4 x 12 in. (120.6 x 90.8 x 30.5 cm) Each: 12 x 12 x 35 3/4 in. (30.5 x 30.5 x 90.8 cm)
MediumRed cedar
Lead-Aluminum Plain
Carl Andre
1969
Object number: 77.10
36 Small Copper Square
Carl Andre
1976
Object number: 2003.44
Carl Andre
2002
Object number: 2014.25.3
Image courtesy of Paula Cooper Gallery, New York. Photo: EPW Studio
Carl Andre
1975
Object number: 2008.28
Photo: Paul Macapia
ca. 1870-1900
Object number: 91.1.60
Forehead Mask of the Crooked Beak
Native American, Kwakwaka'wakw
ca. 1930
Object number: 91.1.11
Photo: Paul Macapia
Native American, Kwakwaka'wakw
ca. 1940
Object number: 91.1.12
Photo: Paul Macapia
Native American, Kwakwaka'wakw
ca. 1940
Object number: 91.1.13
Photo: Paul Macapia
First Nations, Nuu-chah-nulth, Hesquiat
ca. 1930
Object number: 91.1.26
Photo: Paul Macapia
First Nations, Nuu-chah-nulth, Hesquiat
ca. 1900
Object number: 91.1.70