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Courtesy of the Galerie Chevalier, Paris
A Prince Enthroned
Courtesy of the Galerie Chevalier, Paris

A Prince Enthroned

Datecommissioned in 1717
Workshop of Judocus de Vos Flemish, Brussels, 1661-1734
This tapestry is part of a suite of four European chinoiserie tapestries that depict imaginary interpretations of life in Asia. The tapestries feature magical scenes of exotic figures clothed in flowing robes and elaborate headdresses, fantastic animals, botanical studies, and purely imaginative flights of fancy. This suite of Flemish tapestries was commissioned for the Duke Leopold-Philippe d'Arenberg's residence in Brussels in 1717, when it was fashionable for wealthy Europeans to create rooms evoking an exotic, foreign atmosphere. In addition to fanciful depictions of Asian scenes, this tapestry includes two scenes of people sleeping in hammocks, an exotic image from the New World. The word "hammock" comes from the word meaning "a hanging bed" in the language of the now extinct Taino tribe, native to Hispaniola, the island in the West Indies that is today the Republic of Haiti and the Dominican Republic.
Object number2002.38.3
Provenanced' Arenberg inventory (probably 1905); [Christie's, London, 2000]; [Galerie Chevalier, Paris, France, 2000-2002]; purchased by Seattle Art Museum, Seattle, Washington, 2002
Photo CreditCourtesy of the Galerie Chevalier, Paris
Published ReferencesWauters, Alphonse. Les Tapisseries Bruxelloises - Essai Historique sur les tapisseries et les tapissiers de haute et de basse-lice de Bruxelles. Bussels: Imprimerie Ve Julien Baertsoen, 1878; pp. 351, 352. Wace, Alan. The Marlborough Tapestries at Blenheim Palace and their relation to other Military tapestries of the War of the Spanish Succession. Phaidon: London and New York, 1968. Delmarcel, Guy. Flemish Tapestry. London: Harry N. Abrams, Inc., 1999; p. 370. Brosens, Koenraad, "The Duke of Arenberg's Brussels Chinoiserie Tapestries by Judocus de Vos." Filo Forme vol. 4, no. 9 (Spring 2004): 3. Campbell, Thomas, ed. Tapestry in the Baroque, Threads of Splendor. New York: The Metropolitan Museum of Art, 2007, pp. 449. Derez, Mark, et. al. (eds). Arenberg: Portrait of a Family, Story of a Collection. Exh. Cat. Leuven: Museum Leuven, 2018; p. 224, reproduced fig. 1 [not in exhibition].
Credit LineGift of the Guendolen Carkeek Plestcheeff Endowment for the Decorative Arts, Anonymous, General Acquisition Fund, Mildred King Dunn, Richard and Betty Hedreen, Decorative Arts Acquisition Fund, Margaret Perthou-Taylor, Bill and Melinda Gates Foundation Art Acquisition Fund, Ann Bergman and Michael Rorick, Mr. and Mrs. David E. Maryatt
Dimensions106 1/2 x 90 in. (270.5 x 228.6 cm)
MediumWool, silk, metallic threads
Photo: Susan Cole
Judocus de Vos
commissioned in 1717
Object number: 2002.38.2
Courtesy of the Galerie Chevalier, Paris
Judocus de Vos
commissioned in 1717
Object number: 2002.38.4
Courtesy of the Galerie Chevalier, Paris
Judocus de Vos
commissioned in 1717
Object number: 2002.38.1
Embroidered Panel: St. Andrew
Italian (Genoa)
16th century
Object number: 56.70
Panel fragment
French
1730
Object number: 70.72
Textile fragment
French
mid 18th century
Object number: 56.172
Cope
French
18th century
Object number: 33.290
Photo: Beth Mann
mid 18th century
Object number: 48.99.1
Obi fragment
Japanese
1891-1917
Object number: 33.1421
Photo: Beth Mann
Japanese
18th century
Object number: 33.1827
Kesa
Japanese
19th century
Object number: 33.195
Kesa
Japanese
18th-19th century
Object number: 33.667