Stan Greene

Stan Greene is a Salish artist born in Mission, British Columbia on April 15,1953, part of

the Semiamho band. His mother was Halkomelum (Sto Lo) and his father was from ·

Semiahmo (White Rock). His grandfather on his father's side was full blooded Nez Perz

that traces back to the great Chief Joseph. He was raised by his grandparents and

exposed to Salish culture from an early age.

He began carving at the age of 13. His grandfather had a small collection of carvings

and a set of carving tools that Stan studied with as a young man. At the age of 21 he •

began carving for a living and in 1977 he attended the Kasan School of Art where he

learned northern (Tsimshian) design. His teachers were Walter Harris, Ken Mowatt, Earl

Muldoe and Vernon Stevens. In 1978 he did his first Salish designs for the limited

edition prints, "Human and Thunderbird" and "Man with Wolves", which are considered

to be the first examples of pure Salish design to be marketed in the Northwest Coast art

scene. In 1978, at the age of twenty-five, Stan produced his first Salish prints, inspired

by carved Spindle Whorls, used by the Salish as a tool to spin Mountain Goat wool. At

this point in time he actively began to pursue a revival of his forefathers' heritage.

Because of the overwhelming influence of European culture in the Fraser Valley, and

because of the privacy among the various nations, it prevented the northern nations

from sharing their art with the Salish people. The wood carvers in the north thought it

was amusing that I wanted to carve, Stan recalls of the 'Ksan, They laughed, and said

the Salish people did not know how to carve.

Nevertheless, Stan spent six months in 1975 learning from northern carvers, living near

Hazelton, and his former hobby has become his profession. I always wanted to do

Salish carving, he explains, but there was no market until I started to do the Spindle

Whorl designs.

Salish representation is more Life-like and realistic in comparison to northern tradition.

He carved at Expo 86 in Vancouver representing the Salish people and has traveled to

Japan where a 27' pole that he carved was raised in Kanazawa Park in Yokohama. Stan

now carves in both the northern style and the Salish style but he believes that they

should not be mixed. There was no one to teach him the Salish design forms so he did

his own research, studying the old pieces in the British Columbia Museum of

Anthropology and questioning the elders in his community. Today there is still only a

handful of artists that understand the Salish art form.