Artist Info
Joseph Cornell
American sculptor, film maker and writer. He studied from 1917 to 1921 at Phillips Academy in Andover, MA. After leaving the Academy he took a job as a textile salesman for the William Whitman Company in New York, which he retained until 1931. During this time his interest in the arts developed greatly. Through art reviews and exhibitions he became acquainted with late 19th-century and contemporary art; he particularly admired the work of Odilon Redon. He also saw the exhibitions of American art organized by Alfred Stieglitz and became interested in Japanese art, especially that of Andō Hiroshige and Katsushika Hokusai. Following a ‘healing experience’ in 1925 he became a convert to Christian Science.
In 1931 Cornell lost his job as a salesman. In November 1931 he discovered Julien Levy’s newly opened gallery in New York and showed Levy some of his collages. Employing curious juxtapositions, these were composed from cut-out fragments of engravings as in Untitled (1931; artist’s estate, see 1980–81 exh. cat., pl. 5). They closely resembled the collages of Max Ernst, which Cornell had seen at Levy’s gallery, although he had probably been experimenting with collage before this. Through Levy, Cornell became acquainted with a wide range of Surrealist art as well as with various artists in New York, including Marcel Duchamp, whom he first met in 1934. In January 1932 he was included in the Surrealism exhibition at the Julien Levy Gallery, the first survey of Surrealism in New York, to which he contributed a number of collages and an object. By the time of his first one-man show at the same gallery in November 1932 he had begun producing his shadow boxes. These were small circular or rectangular found boxes containing mounted or unmounted engravings and objects. At the same show, which was concurrent with an exhibition of engravings by Picasso, Cornell displayed Jouets surréalistes and Glass Bells. The former (c. 1932; Washington, DC, N. Mus. Amer. A.) were small mechanical and other toys altered by the addition of collage, this use of toys suggesting the relationship between art and play. The Glass Bells contained assemblages of collage and other objects.
SOURCE: OXFORD UNIVERSITY PRESS
