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Photo: Elizabeth Mann
Francisco José Goya y Lucientes, Pintor (Francisco José Goya y Lucientes, Painter)
Photo: Elizabeth Mann

Francisco José Goya y Lucientes, Pintor (Francisco José Goya y Lucientes, Painter)

Datelate 18th-early 19th century
Maker Francisco José Goya y Lucientes Spanish, 1746-1828
Label TextWelcome to the eerie and enigmatic world of Los Caprichos! In this astonishing series of prints, Francisco de Goya (1746–1828) takes aim at Spanish society at the close of the 18th century. This was an era marked by numerous social upheavals: the fiscal crises wrought by war and taxation, the shifting power dynamics of the ruling classes, the draconian fanaticism of the Spanish Inquisition, and the turning point in European thought known as the Enlightenment. In sardonic and often surrealistic vignettes, the Los Caprichos series lays bare the outmoded belief systems, irrelevant superstitions, ignorance, decadence, and hypocrisy of the status quo, and it champions reason, justice, social reform, and intellectual freedom. Accompanying texts added by Goya hint at the meaning of each image, which is often obscure to us. Because the series follows no sequential narrative, its stories are open to many interpretations. Goya used his own likeness for the frontispiece of Los Caprichos. Looking debonair in a fashionable top hat and cravat, he casts a sly, sidelong glance at us, as if to foretell the visual adventure about to unfold. In the caption, he identifies himself as a painter, announcing that his primary occupation is that of an artist, not a printmaker. This distinction is important: in Goya’s time, printmakers reproduced the work of others, while artists relied on their own imaginations.
Object number44.534
Photo CreditPhoto: Elizabeth Mann
Exhibition HistorySeattle, Washington, Seattle Art Museum, Francisco Goya and Robert Heinecken: The Risk Of Satire, May 8, 1993 - January 2, 1994. Seattle Art Museum, Seattle, Washington, SAM on Paper: Francisco de Goya’s Los Caprichos, October 3, 2025 - March 29, 2026.
Credit LineEugene Fuller Memorial Collection
MediumEtching, aquatint, drypoint, burin
Photo: Scott Leen
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.485
Photo: Scott Leen
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.488
A Caza De Dientes (Out Hunting for Teeth)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.513
El Si Pronuncian Y La Mano Alargan Al Primero Que Llega (They Say "Yes" and Give Their Hand To The First Who Comes)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.530
Ni Asi La Distingue (Even This Way He Cannot Make Her Out)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.490
Tal Para Qual (Two of a Kind)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.529
¡Que Sacrificio! (What a Sacrifice!)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.481
Estan Calientes (They're Hot)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.482
Photo: Elizabeth Mann
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.503
Photo: Elizabeth Mann
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.512
¡Que Se La Llevaron! (They Carried Her Off!)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.533
Tantalo (Tantalus)
Francisco José Goya y Lucientes
late 18th-early 19th century
Object number: 44.536