Qué Viene El Coco (Here Comes the Bogeyman)

Datelate 18th-early 19th century

Maker Francisco José Goya y Lucientes Spanish, 1746-1828

Label TextWelcome to the eerie and enigmatic world of Los Caprichos! In this astonishing series of prints, Francisco de Goya (1746–1828) takes aim at Spanish society at the close of the 18th century. This was an era marked by numerous social upheavals: the fiscal crises wrought by war and taxation, the shifting power dynamics of the ruling classes, the draconian fanaticism of the Spanish Inquisition, and the turning point in European thought known as the Enlightenment. In sardonic and often surrealistic vignettes, the Los Caprichos series lays bare the outmoded belief systems, irrelevant superstitions, ignorance, decadence, and hypocrisy of the status quo, and it champions reason, justice, social reform, and intellectual freedom. Accompanying texts added by Goya hint at the meaning of each image, which is often obscure to us. Because the series follows no sequential narrative, its stories are open to many interpretations. A variety of interpretations can apply to this etching. A cloaked figure, its face hidden, appears before a woman and her two small children. The woman’s calm demeanor amidst her children’s terrified reactions has led some to conclude that the figure is her lover, disguised as a menacing phantom to shock the children into silence. Others see this image more generally as propaganda for Enlightenment educational reforms that admonished against using scare tactics to get children to behave.

Object number44.540

Photo CreditPhoto: Elizabeth Mann

Exhibition HistorySeattle, Washington, Seattle Art Museum, Francisco Goya and Robert Heinecken: The Risk Of Satire, May 8, 1993 - January 2, 1994. Seattle Art Museum, Seattle, Washington, SAM on Paper: Francisco de Goya’s Los Caprichos, October 3, 2025 - March 29, 2026.

Credit LineEugene Fuller Memorial Collection

MediumEtching, aquatint