The Judgment of Paris
Dateca. 1516-18
Maker
Lucas Cranach the Elder
German, Wittenberg, 1472 - 1553
Label TextCranach treats this famous beauty contest as a deadpan comedy. Unable to rouse the attention of Paris, who is being shaken awake by Mercury, the three nude goddesses draw our gaze instead with their sleek bodies and coy self-confidence. The richly detailed armor, metallic leaves and stylized clouds are characteristic of Cranach's brand of mannerism, which appealed to his patrons of the Saxon court.
Cranach treats this famous beauty contest as a deadpan comedy. Unable to rouse the attention of Paris, who is being shaken awake by Mercury, the three nude goddesses draw our gaze instead with their sleek bodies and coy self-confidence. The richly detailed armor, metallic leaves and stylized clouds are characteristic of Cranach's brand of mannerism, which appealed to his patrons of the Saxon court.
Object number52.38
ProvenanceKroger Collection, Hamburg, Germany; Baron von Schenck Collection, Flechtingen Castle near Magdeburg, Germany, by 1910; John Ringling (1866-1936), Sarasota, Florida, by 1931; sold, via [Julius Böhler, Munich, Germany] to [Kunsthandel AG Luzern, Lucerne, Switzerland] and [Paul Cassirer, Berlin, Germany] (jointly owned), 1932; {possibly sold to Georg Tillmann (1882-1941), Amsterdam, the Netherlands, 1933 until ca. 1938-39} [1]; {Firma D. Katz, Dieren, the Netherlands} [2]; sold to LeRoy M. Backus (1879-1948), New York and Seattle, by 1939; Estate of LeRoy M. Backus, 1948-1952; bequeathed to Seattle Art Museum, Seattle, Washington, 1952
[1] “Tillmann, Amsterdam” listed as ex-collection in Schaeffer Galleries Bulletin, no. 6 (November 1948): cat. no. 1, reproduced. Ex-collection “Tillmann, Amsterdam” reproduced again in 1952 catalogue published by the Seattle Art Museum, The LeRoy M. Backus Memorial Collection; cat. no. 2.
[2] Schaeffer Galleries records, ca. 1921-1982, Archives of American Art, Smithsonian Institution, contains correspondence between LeRoy M. Backus, Pacific Coast Director of the Schaeffer Galleries, New York, and the Firm of D. Katz, Holland, confirming the purchase of the painting and awaiting formal Bill of Sale.
Photo CreditPhoto: Susan Cole
He was endowed with a sense of <i>chic</i> which would make him the patron saint of all fashion designers.
Sir Kenneth Clark, <i>The Nude</i> (1956)
Credit LineLeRoy M. Backus Collection
Dimensions25 x 16 1/2 in. (63.5 x 41.9 cm)
MediumOil on wood