Tantalo (Tantalus)

Datelate 18th-early 19th century

Maker Francisco José Goya y Lucientes Spanish, 1746-1828

Label TextWelcome to the eerie and enigmatic world of Los Caprichos! In this astonishing series of prints, Francisco de Goya (1746–1828) takes aim at Spanish society at the close of the 18th century. This was an era marked by numerous social upheavals: the fiscal crises wrought by war and taxation, the shifting power dynamics of the ruling classes, the draconian fanaticism of the Spanish Inquisition, and the turning point in European thought known as the Enlightenment. In sardonic and often surrealistic vignettes, the Los Caprichos series lays bare the outmoded belief systems, irrelevant superstitions, ignorance, decadence, and hypocrisy of the status quo, and it champions reason, justice, social reform, and intellectual freedom. Accompanying texts added by Goya hint at the meaning of each image, which is often obscure to us. Because the series follows no sequential narrative, its stories are open to many interpretations. In this print, a man agonizes over the passive form of a woman, presumably his lover. The caption refers enigmatically to a figure from Greek mythology who was permitted to see water but forbidden to drink it. Such is the nature of unfulfilled longing. The man, older and homelier than his voluptuous partner, is unable to arouse her. The pyramid in the background suggests a funereal setting, but it is desire that is dead, not the woman.

Object number44.536

Exhibition HistorySeattle Art Museum, Seattle, Washington, SAM on Paper: Francisco de Goya’s Los Caprichos, October 3, 2025 - March 29, 2026.

Credit LineEugene Fuller Memorial Collection

MediumEtching, aquatint