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Photo: Elizabeth Mann
Heron and Lotus
Photo: Elizabeth Mann

Heron and Lotus

Dateca. 18th century
Label TextIn his poem, Shen Tingzhao refers to the white egret as a “fine young gentleman” wearing fluttering garment tassels, using Tang-dynasty poet Du Mu’s famous analogy. Shen also describes verdant lotus leaves playing peek-a-boo with red-petaled lotus blossoms, adding the experience of more colors to his collaboration with Yan E, who uses gold paint on a dark, indigo paper instead of the usual black ink on white paper. Little is known about the two artists except some of their literary work. They were active in the Suzhou area, where Yan E was a physician and self-described “lazy painter” who made the occasional work of which he always felt proud.
Object number2013.24.2
ProvenanceMrs. Donald E. Frederick, Seattle; upon her death, by inheritance to her granddaughter Carol Padelford, Seattle
Photo CreditPhoto: Elizabeth Mann
Exhibition HistorySeattle, Washington, Seattle Asian Art Museum, Boundless: Stories of Asian Art, Feb. 8, 2020 - ongoing [on view Dec. 10, 2021 - July 24, 2022].
Credit LineGift of Carol Padelford
Dimensions44 x 12 1/2 in. (111.8 x 31.8 cm)
MediumGold and silver on indigo paper
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late 12th century
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Photo: Jueqian Fang
Japanese
11th century
Object number: 2020.23.3
Heron and Kingfisher
17th century
Object number: 56.202
White Heron Castle
Tsuji Kako
ca. 1919
Object number: 2010.41.27
Photo: Eduardo Calderon
Tsuji Kako
ca. 1915
Object number: 2010.41.36
Photo: Scott Leen
North African
9th century
Object number: 69.37
Photo: Paul Macapia
Iranian
mid 16th century
Object number: 50.69
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Riza Abbasi
1629 - 1635
Object number: 50.111
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19th century
Object number: 61.80.8
Waves
late 17th-early 18th century
Object number: 51.70